Sarah Rothenberg - Fanny Mendelssohn-Hensel: Das Jahr
Facts
| Artist(s) | Sarah Rothenberg |
| Studio | Arabesque Recordings |
| Release Date | January 23, 1996 |
| UPC Code | 026724666629 |
| Buy this item | $11.99 at Amazon.com As of Jan 7 21:32 EST (details) 1 Audio CD, Usually ships in 7 to 12 days, |
Tracks
- January: A Dream. Adagio, quasi una Fantasia; Presto
- February: Scherzo. presto
- March. Agitato; Andante
- April: Capriccioso. Allegretto; Allegro
- May: Spring Song. Allegro vivace e gioioso
- June: Serenade. Largo; Andante
- July: Serenade. Larghetto
- August. Allegro
- September: At the River. Andante con moto
- October. Allegro con spirituo
- November. Mesto; Allegro molto agitato
- December. Allegro molto; Andante
- Postlude: Chorale "Das alte Jahr vergangen ist"
Similar CDs
| Clara Schumann: Complete Piano Works | Fanny Mendelssohn & Clara Schumann Piano Trios [IMPORT] | Mendelssohn: A Life in Music | Clara Schumann: Piano Works | Chamber Works by Women Composers |
User Reviews
Average user review:| NEW YEAR'S RESOLUTIONS |
Unlike Tchaikovsky's popular January-to-December cycle, deceptively titled "The Seasons," Fanny's "Das Jahr" draws primarily and emotionally on her six-month sojourn in Rome (December, 1839-May, 1840), rather the highest point in her life, and the inner turmoil she felt, at age 35, returning home to the realities of her thwarted musical career in Berlin.
Composed in the latter half of 1841, "Das Jahr" is a series of thirteen pieces that forms, ultimately, a psychological diary of monthly "observations," ruminations and introspections, and short-lived jubilations and enthusiasms, all touched by a quite palpable, heartfelt regret that weaves its way, ominously, throughout. Even the closing Postlude of "Das Jahr," reveals a resignation that Fanny, inevitably, cannot disguise. It touches us. What must it have been like living in the shadow of younger brother, Felix, and as a woman aspiring to compose, publish--- and be acknowledged for all four? Add to this the fact that "Das Jahr" first saw ink in 1989, nearly one and a half centuries after Fanny's sudden death in 1847, and I think we see perfectly.
The Notturno (1838) and Abschied (1840), both gorgeously lyrical pieces, underscore our understanding of Fanny as a woman of unrecognized talent and invention--- who, herself, knew this was the case.
[Running time: 60:48] February 5, 2003
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