Beethoven: Symphonies Nos. 4 & 6 "Pastorale"

the 4th and 6th

I really enjoyed this c.d....listen to it over and over and over. Just lovely. November 13, 2008

Beethoven Meets His Maker....And Likes It

Beethoven illustriously asserted that his Pastoral Symphony was more feeling than painting. Indeed, the idyllic brook in the B flat Andante paints with deft brushstrokes on the most fertile canvas in the universe - the human mind. Listening carefully to the closing bars, the birdsong of quail, nightingale, and cuckoo lilt with a precious enchantment. The evocative imagery of this five-movement masterpiece ranges from open countryside to merry-whirling townsfolk to wrathful storm and a new hope beyond.

Fortunately for us, Beethoven's crowning jewel does not strain for the musical realism of Strauss or Berlioz. Rather than prescribing some programmatic storyboard, he respects us far more, giving us the freedom to envision the poetry in our own minds as vividly as we would.

That this symphony was first performed in 1808 in Vienna is only fitting, for Beethoven's walks in the country near the culturally vibrant city were part of its impetus. Even his notes, haphazardly scrawled on symphonic sketches, attested to Beethoven's affinity for nature. Perhaps the Pastoral was Beethoven's way of saying that music alone squanders potential; imagery and atmospheric suggestion can take it to an even higher plane. In 1810 Beethoven remarked fondly, "How delighted I will be to ramble for awhile through the bushes, woods, under trees, through grass, and around rocks...surely woods, trees, and rocks produce the echo that man desires to hear."

Enter now the avalanche-melting warmth of Bruno Walter. In his later years at the Columbia Symphony Orchestra he had what many have called his 'Indian Summer', his resurgence in musical inspiration and execution which has left us some of the great recordings. Now it is true that at times the twilight of his mastery became evident; this is particularly true in the 4th symphony of this recording, which despite its warmth suffers from feeble playing and a lack of energy. But the 6th symphony is Walter on the mountaintop, and arguably the best recording of the Pastoral ever made. In truth, Otto Klemperer's 1957 Pastoral matches it, and with better sound quality. Yet Walter stands beside Klemperer, these two titans producing Pastoral recordings of historic value that hopefully shall never be forgotten...

The Pastoral Symphony is for me the most admirable of Beethoven's achievements, yet I realize not all may share this view. For many the excitement and drama of the 5th, 7th, and 9th overshadow the 6th's sprightly warmth. Yet I think many of you will find as the ears age and the mind yearns for peace and tranquility, that this Pastoral recording is not only something you can enjoy. You can come back to it again and again, and rather than exhaust your emotions it replenishes and renews.
February 2, 2008

LOOK FURTHER

My taste in action:
I thought this was on the sleepy side. Let's face it, the No. 4 has real drive and
boldness. Lacking here. I'd check out Hogwood or the City of Birmangham or Franz Bruggen (sp?). Through them I've come to love the 4th! Work of genius
from LVB, "Mr. Excitement" himself. October 4, 2007

best Beethoven 4th I know of

This used to be paired with the 5th on Record.. probably the best of both. I love this 4th. May 13, 2007

Beethoven 4th symphony

I was looking for the 4th specifically and happy with this recording. Entries are clear and tempos steady. Recommended March 19, 2006

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