London Suede - Sci-Fi Lullabies
Facts
| Artist(s) | London Suede |
| Studio | Sony |
| Release Date | November 4, 1997 |
| UPC Code | 074646885727 |
About London Suede - Sci-Fi Lullabies
Tracks
Disc 1- My Insatiable One
- To the Birds
- Where the Pigs Don't Fly
- He's Dead
- The Big Time
- High Rising
- The Living Dead
- My Dark Star
- Killing of a Flash Boy
- Whipsnade
- Modern Boys
- Together
- Bentswood Boys
- Europe Is Our Playground
- Every Monday Morning Comes
- Have You Ever Been This Low?
- Another No One
- Young Men
- The Sound of the Streets
- Money
- W.S.D.
- This Time
- Jumble Sale Mums
- These Are the Sad Songs
- Sadie
- Graffiti Women
- Duchess
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User Reviews
Average user review:| Music for the shaved heads, raveheads, and jumble sale mums. |
"Sci-Fi Lullabies" reads almost more like a disjointed opera than any old pop band's record. Brett Anderson's heartbreaking melodies and lyrics scream falsettoed angst; the voice of an era.
Passed over by radio and MTV, the miracles on this record have rarely fallen on the inexperienced ear. There is a more sensible, subtler and sophisticated Suede than many have given credit based on previously released material. Though it's not to say Suede falls short on their studio albums- they are brilliant- but free from pressures and in-band fighting the freeform menagerie sensually emanating from the speakers is innocent and raw.
Suede does on "Sci-Fi Lullabies" what Suede does best- dramatics, sexual perversion, heroin dirges, and flashboy murders. And every track is a winner to every loser. May 3, 2005
| A B-Sides collection that contains A-Side worthy materal! |
| Suede's best songs |
The first side is the stronger of the two, with 'To The Birds,' 'High Rising,' 'My Dark Star,' 'Killing of a Flash Boy,' 'Together' and especially 'Europe is our Playground' brushing the sublime. 'But that's almost all the songs on the side,' you might say. Well, yeah.
The second side is Suede in their later phase, their grittier, less artistic phase, and while I don't think it led to a decline in the quality of their albums, I do think the b-sides suffered. Still, 'Every Monday Morning,' 'Money' and 'Sadie' are excellent.
This is just Suede's best music, simply. A must-have for any collection, and especially for the fan. April 16, 2004
| Your Royal Stickiness, Your Highness. |
The songs which feature the guitar works of both Bernard Butler and Richard Oakes are absolutely brilliant and they suit them in different ways, Bernard's style being classical, complex, textured and the lengthy solos while Richard's style is more straightforward, upbeat, dynamic, modern and rockier. Both are greatly talented and define the Suede "sound". My favorite songs with Butler are; Where The Pigs Don't Fly and Killing Of A Flashboy, while with Oakes they are; Together and Young Men.
Mat Osman is an underrated bass player, he's overshadowed by the brilliance of Butler and Oakes but, if you listen closely you'll hear very well constructed basslines throughout songs like Whipsnade, Sadie and Europe Is Our Playground. After this album their creativity took a slight dip in Head Music and A New Morning is not on a par with their best work and I'm being kind. If you're a novice and want a quick review of Suede's career, then buy "Singles" but, if you have some money to spend on a few albums then I would recommend starting with Sci-Fi Lullabies and go back from there with Coming Up, Dog Man Star and Suede. I look at Suede's period of excellence from 1992 to 1997. In retrospect, this was their last work of genius and what a career it was indeed. Thanks for making great music and to quote them, "see you in the next life". December 15, 2003
| IN AND OF ITSELF MORE THAN A COMPILATION |
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