Roberta Flack - First Take
Facts
| Artist(s) | Roberta Flack |
| Studio | Atlantic / Wea |
| Release Date | September 19, 1995 |
| UPC Code | 075678279225 |
| Buy this item | $8.99 at Amazon.com As of Nov 15 4:29 EST (details) 1 Audio CD, Usually ships in 24 hours, Original recording remastered |
Tracks
- Compared to What - Roberta Flack, Mcdaniels, Gene
- Angelitos Negros - Roberta Flack, Blanco, Andres Eloy
- Our Ages or Our Hearts - Roberta Flack, Hathaway, Donny
- I Told Jesus - Roberta Flack, Traditional
- Hey, That's No Way to Say Goodbye - Roberta Flack, Cohen, Leonard
- The First Time Ever I Saw Your Face - Roberta Flack, MacColl, Ewan
- Tryin' Times - Roberta Flack, Hathaway, Donny
- Ballad of the Sad Young Men - Roberta Flack, Landesman, Fran
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User Reviews
Average user review:| Superb Stylist |
But if those tracks place the emphasis on the "quiet," other smokier, more smoldering numbers let you know where the "fire" comes in. The opening cut, "Compared to What" is politically charged soul that captures the spirit of hurt, hope and rage of the era perfectly. She approaches the conviction and the cold fire of Nina Simone at her sharpest.
And while she may seem "supper club elegant" a good deal of the time, she can get downright churchy on a number like "I Told Jesus."
I'm sure there are those who would take issue with me for daring to compare her Spanish number "Angelitos Negros" to Grace Slick's half-Spanish (or half-"Pig-Spanish") "Manhole," but there is something about the timbre of their voices when singing in that language that is startlingly similar. Flack's song is,of course, purer both musically AND linguistically, than the pastiche that Slick comes up with, but both singers are indeed both "cool" and "fiery" simultaneously. And there's something about their singing en espanol that seems to emphasize that similarity. (If only Grace had put as much care into the language as she had put into the elaborate orchestration.) My Spanish is extremely limited, but Flack's command of the language as it's SUNG seems pretty darn impressive and authoritative.
Roberta Flack's critics sometimes suggest that she sometimes confuses "languor" with "torpor." A reasonably valid opinion, I suppose, but one that probably reveals more about the listener than the perormer. I'll admit that there are been times when I'm not as up for some of her lengthy mood pieces as I am at others. A song like "Our Ages or Our Hearts" (which seems to bemoan a--gasp!--thirteen year age difference between two adult lovers!)can try my patience. And my first reaction to "The Ballad of the Sad Young Men" was that it was a bit on the mawkish side. But that's just me. And y'know, there are times--late at night--when these songs take on a certain undeniable luster. The same can be said for the entire album. November 1, 2008
| Somewhere in a Small, Funky Club |
| THE BEST ALBUM EVER |
| GREAT DEBUT |
| First Take |
This entire disc is exquisite but my two favorite tracks are: THE FIRST TIME EVER I SAW YOUR FACE & OUR AGES OR OUR HEARTS.
Other tracks that feature great arrangements and lyrical storytelling are: BALLAD OF SAD YOUNG MEN, ANGELITOS NEGROS & HEY, THAT'S NO WAY TO SAY GOODBYE.
The liner notes detailing Roberta's discovery make me sad for the music industry today because not many new singers are allowed to just be themselves - they have to conform. Would a Roberta Flack of today be allowed to grow & flourish as an artist? I don't think so but at least music lovers get to experience true artistry by adding this disc to their collection.
March 24, 2007
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