Bizet - Les PAacheurs de Perles (The Pearl Fishers) / Hendricks, Aler, Quilico, Capitole de Toulouse, Plasson
Facts
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Bizet - Les Pêcheurs de Perles (The Pearl Fishers) / Hendricks, Aler, Quilico, Capitole de Toulouse, Plasson
Music Price: You save 33%! As of Jan 8 8:40 EST (details)
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| Studio | EMI Classics |
| Release Date | April 10, 1990 |
| UPC Code | 077774983723 |
| Buy this item | $21.97 at Amazon.com As of Jan 8 8:40 EST (details) 2 Audio CD, Usually ships in 24 hours, |
Tracks
Disc 1- Prélude
- Act 1. No. 1.: "Sur La Grève En Feu"
- Act 1. No. 1.: "Amis, Interrompez Vos Danses..."
- Act 1. No. 1.: "Demeure Parmi Nous, Nadir... Sur La Grève En Feu"
- Act 1. No. 2.: "C'est Toi, Toi Qu'enfin Je Revois"
- Act 1. No. 2.: "Au Fond Du Temple Saint"
- Act 1. No. 3.: "Que Vois-Je?"
- Act 1. No. 3.: "Sois La Bienvenue"
- Act 1. No. 3.: "Seule Au Millieu De Nous... Brahma, Divin Brahma!"
- Act 1. No. 4.: "A Cette Voix"
- Act 1. No. 4.: "Je Crois Entendre Encore"
- Act 1. No. 5.: "Le Ciel Est Bleu"
- Act 1. No. 5.: "O Dieu Brahma"
- Act 2. No. 6.: "L'Ombre Descend Des Cieux"
- Act 2. No. 7.: "Me Voilà Seule Dans La Nuit...Comme Autrefois"
- Act 2. No. 8.: "De Mon Amie Fleur Endormie"
- Act 2. No. 9.: "Leïla! Leïla! Dieu Puissant"
- Act 2. No. 10.: "Ah! Revenez À La Raison"
- Act 3. Part 1. No. 11.: "L'Orage S'Est Calmé... O Nadir"
- Act 3. Part 1. No. 12.: "O Ciel! Quel Trouble..."
- Act 3. Part 1. No. 12.: "Je Frémis, Je Chancelle"
- Act 3. Part 1. No. 12.: "Entends Au Loin Ce Bruit De Fête"
- Act 3. Part 2. No. 13.: "Dès Que Le Soleil"
- Act 3. Part 2. No. 14.: "Sombres Divinités...O Lumière Sainte"
- Act 3. Part 2. No. 15.: "Le Jour Enfin Perce La Nue"
- Act 3. Appendice.: "C'est Toi, Toi Qu'enfin Je Revois... Amitié Sainte"
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User Reviews
Average user review:| Bizet's greatest opera? |
| A Fine Offering Needing A Bit Of Bite |
The performances, especially that of Barbara Hendricks are lovely. The recorded sound is a pleasure compared to the others, whereby one hears the full lushness of the music, the dreamy quality of an exotic and secreted Ceylon (Sri Lanka). My only regret (and this goes for all the available recordings of which I'm aware) is that more sweep and punctuation, particularly in the form of tempi is lacking. I find that the conducting hesitates to bring forth moments that would add so much more life to the characters, opting instead for what might be deemed sanctimony.
All in all, it's the best recording available, but I'm not unwilling to keep searching. It's very pretty Bizet. May 16, 2008
| Pearl Fishers |
| Couldn't agree more..... |
The music is ravishing and the opera abounds with memorable arias and duets....the famous ACTI duet and also "Je Crois..." as well as "Comme Autrefois" and Zurga'a aria.
The choruses are lovely too.
The singers are outstanding as well. Barbara Hendricks can lack a bit of emotion in her singing but does have a ravishing tone and is technically wonderful.
Bizet's first famous opera is, I think, greatly underrated and deserves a more permanent place in the repertory.
Buy this recording..... April 3, 2007
| Desert island disc |
Fortunately, the cast and conductor are up to the demands of the music. Tenor and soprano must have light, agile voices with high extensions. John Aler and Barbara Hendricks actually make this music sound easy and effortless. Aler brings back memories of the great Leopold Simoneau, and he far exceeds Nicolai Gedda, an outstanding and versatile tenor whose heavier voice has to strain for the high notes of Je crois encore entendre. Hendricks catches the sweetness and innocence of Leila, and her coloratura is light, skillful, beautiful of tone. Gino Quilico matches Aler in their thrilling duet. Plasson, the orchestra, and the chorus give deeply committed performances. As a final bonus, the French pronunciation is very satisfying. November 21, 2006
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