The Complete Caruso including The Original Victor Talking Machine Co. Master Recordings
Facts
| Studio | RCA |
| Release Date | November 20, 1990 |
| UPC Code | 090266049523 |
About The Complete Caruso including The Original Victor Talking Machine Co. Master Recordings
From the youthful bloom and impetuous swagger of Enrico Caruso's debut 1902 recordings to the darker, almost baritonal overtones typifying his final sessions before the acoustic horn, the singer's resplendent vocalism and generous performing style remain the archetype for Italian tenors. As a child of the late 19th century, Caruso was prone to embellish upon composers' texts, yet his passion, communicative power, and soaring musicality transcend time. The Italian sessions from 1902 to 1904 and Caruso's recordings with piano between 1904 and 1905, along with two later sides, receive conventional, unaltered transfers. The remaining material is restored via the controversial Soundstream computer process, which fleshes out the lower partials of the voice while compromising its overtones, relegating the orchestral accompaniment to a rumbling backdrop rather than contributing partner. Yet many will find the Soundstream transfers easier on the ear. Those who wish to acquire the complete Caruso in a single package at midprice should not hesitate to purchase this significant set. --Jed Distler Amazon.com essential recording
Tracks
Disc 1- Act 1. Studenti! Udite!
- Act 1. Questa o quella
- Act 1. Celeste Aida
- Act 2. Chiudo gil occhi (Il Sogno)
- Act 2. Una furtiva lagrima
- Epilogue. Guinto sul passo estremo
- Act 1. Ah vieni qui ... No, non chiuder gli occhi vaghi
- Act 1. Dai campi, dai prati
- Act 3. E lucevan le stelle
- Act 1. Apri la tua finestra (Serenata)
- Act 1. Dai campi, dai prati
- Act 2. Amor ti vieta
- Act 1. Celeste Aida
- Act 2. Cielo e mar
- Act 1. Recitar! mentre preso dal delirio... Vesti la giubba
- O Lola (Siciliana)
- Act 2. No, più nobile
- Act 2. Una furtiva lagrima
- Act 3. E lucevan le stelle
- Act 1. Ah, vieni qui... No, non chiuder gli occhi vaghi
- Act 4. La donna è mobile
- O Lola (Siciliana)
- Act 3. E lucevan le stelle
- Act 1. Qui sotto il ciel
- Act 1. Questa o quella
- Act 4. La donna è mobile
- Act 2. Un furtiva lagrima
- Act 1. Celeste Aida
- Act 3. E lucevan le stelle
- Act 1. Recondita armonia
- O Lola (Siciliana)
- Act 1. Recitar! mentre preso dal delirio... Vesti la giubba
- Act 2. Chiudo gli occhi (Il Sogno)
- Act 1. Mi par d'udir ancora
- Act 3. Com'è gentil (Serenata)
- Act 2. Il fior che avevi a me tu dato
- Act 1. Ah, qual soave vision... Bianca al par di neve
- Act 2. Cielo e mar
- Intanto amici... Viva il vino (Brindisi)
- Act 3. M'apparì tutt'amor
- Act 1. Che gelida manina
- Act 3. Salut demeure chaste et pure
- Act 3. De quella pira
- Act 4. Spirto gentil, ne' sogni miei (Romanza)
- Act 3. Solenne in quest'ora
- Act 1. Celeste Aida
- Act 4. Mi batte il cor... O paradiso!
- Act 4. Bella figlia dell'amore (quartet)
- Act 4. O Mimì, tu più non torni
- Act 1. Un dì all'azzurro spazio (Improvviso)
- Act 1. Recitar! mentre preso dal delirio... Vesti la giubba
- Act 1. O soave fanciulla
- Act 1. Del tempio al limitar
- Act 2. Deserto in terra
- Act 2. Deserto in terra
- Act 2. Chi mi frena in tal momento? (sextet)
- Act 4. Bella figlia dell'amore (quartet)
- Act 3. Addio, dolce svegliare alla mattina
- Act 1. Un po' di vero c'è... Oh quanti occhi fisi
- Act 1. Questa o quella
- Act 4. La donna è mobile
- Act 3. Ah sì, ben mio
- Act 4. Se m'ami ancor... Ai nostri monti
- Act 1. Celeste Aida
- Act 1. Recondita armonia
- Act 3. E lucevan le stelle
- Act 3. Della natal sua terra il padre... O tu che in seno agl'angeli
- Act 4. O terra addio
- Act 4. La fatal pietra
- Act 2. Magiche note
- Act 2. Il fior che avevi a me tu dato
- Act 2. La fleur que tu m'avais jetée
- Act 1. Ah, qual soave vision... Bianca al par di neve
- Act 4. Quel suon, quelle preci... Ah! che la morte (Miserere)
- Act 4. Quel suon, quelle preci... Ah! che la morte (Miserere)
- Act 1. Solo, profugo, reietto!
- Act 1. Ô merveille!... A moi les plaisirs
- Act 3. Seigneur Dieu, que vois-je!
- Act 3. Eh! quoi! toujours seule?
- Act 3. Il se fait tard... Laisse-moi... Éternelle! Éternelle! Ô nuit d'amour
- Act 4. Que voulez-vous, messieurs?
- Act 5. Mon coeur est pénétré d'épouvante... Attends! Voici la rue... Alerte! ou vous êtes perdus
- Act 1. Studenti! Udite!
- Act 1. Ah, vieni qui... No, non chiu gli occhi faghi
- Act 2. Cielo e mar
- Act 1. Amore o grillo dir non saprei
- Act 3. Non ve l'avevo detto?... Addio fiorito asil
- Act 2. Nell'ore arcane della sua lussuria... Ora e per sempre addio
- O Lola (Siciliana)
- Act 2. No! Pagliaccio non son
- Act 2. Mal reggendo all'aspro assalto
- Act 4. Se m'ami ancor... Ai nostri monti
User Reviews
Average user review:| No - the deffect is NOT on EVERY set!!! |
| The Master of Italian Tenor Singing-Get it |
Except for the lighter and bel canto roles, Caruso is supreme in the Italian and some of the French repetoire. Last night I listened to the Quartet from Martha for the first time in many years. Caruso sings about a 20 second phrase beginning "Dormi
Pur" which had me in tears as it had in the past. The ease of Caruso cadenzas in "La donna e Mobile" and "Una Furtiva Lagrima" put most tenors with a 1/4 of Caruso's vocal weight and size to shame.
There are no American/Swedish or any other hyphenated Carusos. He was unique and I am a Bjoerling freak. I find it
odd that a previous reviwer mentioned Mario Lanza favorably with Caruso.
Lanza rarely performed on an opera stage. On recording his voice seems large but his singing is amateurish. He squeezes, forces, barks and croons. At times one can hear a pretty sound but I do not consider him a major opera singer.
Rudolf Bing's comment that people who heard Richard Tucker were just as lucky as those who heard Caruso is silly. Tucker was excellent but NOT Caruso.
Lauritz Melchior, in the heavy German repetoire and to my mind Otello, is as unique and uncomparable as Caruso is in the Italian and French repetoire.
May 20, 2006
| WARNING-All Original Releases Corrode Because of Dye |
This set is available in a subsequently released BUDGET compilation, also available through AMAZON. There are no manufacturing defects. April 24, 2005
| from a 13 year old kid |
| There are other, better options |
I would suggest that people interested in Caruso check out the "complete" Caruso series on Naxos with new digital restorations by the great sound engineer/artist Ward Marston. On the Naxos CD's the voice is preserved in a much more natural and subtle sound while all of the other noises are eliminated as much as possible. It's much more satisfying and true to the original recordings than these old RCA transfers. If you're going to spend $130.00 you should have the best available. It's only fair to Caruso. May 16, 2004
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