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Glenn Miller - Lost Recordings (RCA)
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Glenn Miller - Lost Recordings (RCA)

Facts

Artist(s)Glenn Miller
StudioRCA
Release DateAugust 13, 1996
UPC Code090266832026
 

About Glenn Miller - Lost Recordings (RCA)

By mid-1944, Major Glenn Miller and his band, dubbed the American Band of the Allied Expeditionary Force, were stationed in England, maintaining a rigorous schedule of broadcasts and concerts to boost military morale. These two CDs of lost recordings come from six radio shows taped in October and November of that year for the American Broadcasting System in Europe. The shows were directed at German troops, and they're fascinating just as documents, whether Miller is struggling in halting German, describing the band as "a true picture of the great melting pot of America," or introducing a singer with "Sgt. Johnny Desmond, report to Ilse" (the show's announcer) for a rendition of "My Heart Tells Me" sung in German. But it's the quality of the music and the exceptional presence achieved in London's Abbey Road Studios that maintain interest. Miller's hits may have never sounded better, and arranger Jerry Grey is strikingly adroit at blending the big swing band with a full complement of string players on such tunes as "Begin the Beguine." --Stuart Broomer Amazon.com

Tracks

Disc 1
  1. In the Mood - Glenn Miller, Garland, Joe
  2. Stardust - Glenn Miller, Carmichael, Hoagy
  3. Song of the Volga Boatmen - Glenn Miller, Traditional
  4. Long Ago (And Far Away) - Glenn Miller, Gershwin, Ira
  5. Is You Is or Is You Ain't My Baby? - Glenn Miller, Jordan, Louis [1]
  6. Great Day - Glenn Miller, Eliscu, Edward
  7. American Patrol - Glenn Miller, Meacham, F.W.
  8. Summertime - Glenn Miller, Gershwin, George
  9. Tuxedo Junction - Glenn Miller, Dash, Julian
  10. Begin the Beguine - Glenn Miller, Porter, Cole
  11. Anvil Chorus - Glenn Miller, Verdi, Giuseppe
  12. Major Glenn Miller & Ilse Weinberger - Glenn Miller,
  13. Here We Go Again - Glenn Miller, Gray, Jerry
  14. My Heart Tells Me - Glenn Miller, Gordon, Mack
  15. A String of Pearls - Glenn Miller, Gray, Jerry
  16. Stormy Weather - Glenn Miller, Arlen, Harold
  17. Poinciana - Glenn Miller, Simon, Nat
  18. All the Things You Are - Glenn Miller, Kern, Jerome
Disc 2
  1. Long Ago (And Far Away) - Glenn Miller, Gershwin, Ira
  2. Now I Know - Glenn Miller, Koehler, Ted
  3. Mary's a Grand Old Name - Glenn Miller, Cohan, George M.
  4. Caribbean Clipper - Glenn Miller, Gallop, Sammy
  5. Smoke Gets in Your Eyes - Glenn Miller, Harbach, Otto
  6. Little Brown Jug - Glenn Miller, Winner, Joseph E.
  7. Where or When - Glenn Miller, Rodgers, Richard
  8. Cow Cow Boogie - Glenn Miller, Carter, Benny [1]
  9. Holiday for Strings - Glenn Miller, Rose, David
  10. Tail-End Charlie - Glenn Miller, Finegan, Bill
  11. Begin the Beguine - Glenn Miller, Porter, Cole
  12. Everybody Loves My Baby - Glenn Miller, Palmer, Jack
  13. Jeep Jockey Jump - Glenn Miller, Gray, Jerry
  14. All the Things You Are - Glenn Miller, Kern, Jerome
  15. Swing Low, Sweet Chariot - Glenn Miller, Traditional
  16. Body and Soul - Glenn Miller, Eyton, Frank
  17. Beat Me Daddy, Eight to the Bar - Glenn Miller, Raye, Don
  18. Get Happy - Glenn Miller, Arlen, Harold
  19. Moonlight Serenade - Glenn Miller, Miller, Glenn [1]

Similar CDs

Secret BroadcastsChesterfield BroadcastsThe Best of the Lost Recordings & Secret BroadcastsThe Glenn Miller StoryGlenn Miller And The Army Air Force Band: Rare Broadcast Performances From 1943-1944
Secret BroadcastsChesterfield BroadcastsThe Best of the Lost Recordings & Secret BroadcastsThe Glenn Miller StoryGlenn Miller And The Army Air Force Band: Rare Broadcast Performances From 1943-1944

 

User Reviews

Average user review: 4.0 (6 reviews)

rating: 3 QuoteSony seems intent on deleting all Army Air Force Miller recordingsQuote
Since RCA took this out of release, I guess this doesn't matter anymore. But I figured out the reason that the Dinah Shore vocals appear on the British edition and not the American edition. The copyright expired on the Shore recordings in 1994 in the UK, not in the US. Sony/RCA/BMG probably couldn't release them in the US because they were still copyright protected. And I think copyright protection in the US is 75 years while in Europe it's fifty years. Sony seems intent on not having an AAF band recording in release. I wish they'd bring back the box set that was around in the early 2000's. January 4, 2009

rating: 3 QuoteA disappointing release.Quote
Before the release of this set almost 10 years ago now,I recall all the hype about it.I could hardly wait to get my copy.
When I did I couldn't believe what the producers of this set had done.No it wasn't the selections...there are some very rare pieces here that have finally seen the light of day after more than 50 years.No it wasn't the sound....considering the sources for some of these songs it is a wonder that they sound as good as they do.
No what was wrong here is the speed of the recordings.Each one is either too fast or too slow.I am fortunate that I have an adjustable speed CD player so I have been able to compensate for the faux speed of these recordings.
However considering the care and attention that the Brits made to restore these recordings you'd have thought someone with half an ear would have had the common sense to properly adjust for the inconsistent speeds and record/release them as they should have been.And also considering the price for this set it is just another indignation that further peeves this reviewer no end.
So in as much as I can recommend this set for the material alone as it is historically a genuine musical treasure,I cannot do the same for its' presentation for to me this was just plain(and out of character for Brit releases) sloppiness.Thus it barely rates its' 3 star rating.
Glenn deserves far better. January 1, 2005

rating: 5 QuoteTokyo Rose went to prison for this same activityQuote
You have to realize that these discs were recorded at the height of World War II. The "jerries" were just across the English Channel.

Here we have Glenn Miller toned down - Henry Mancini or Montovani - while retaining the whole of his best work.

A lot of German soldiers must have dreamed of Betty Grable after these broadcasts.

It is obvious that the Glenn Miller Orchestra contributed a lot to the war effort.

D-Day was only part of it. June 17, 2004

rating: 4 QuoteGET THE ENGLAND PRESSING!Quote
This US pressing is good, but inferior to the English one, which has many additional songs, and several vocals with Dinah Shore. The liner notes even include a letter saying that the recording of "Stardust" with Glenn and Dinah is "propoganda."! Do yourself a favor and search for the English version. July 29, 2000

rating: 5 QuoteOne of the best AAF band recordings availableQuote
This set is one of a pair of AAF gems released during the mid '90s. Because most of the sides were made at the famous Abbey Road studios, the fidelity is higher than most of the other AAF releases on the market. The recordings showcase much of the AAF Band's breadth, with many older Miller standards as well as the richer concert sound of the full orchestra with its 21 strings. The only thing missing is an example of the strings-only arrangements found on the companion "Secret Broadcasts". It's also interesting to hear the German-language patter and vocals used as part of the Allies' propaganda effort. I only have 2 gripes: first, unlike the UK version, the US release leaves out the 4 long-lost commercial sides (including 2 Dinah Shore vocals) the band recorded but never released, and second, even though I can understand the German dialogues a translation would have been helpful for those who don't speak the language. In any case, combine this CD with the marvelous "Secret Broadcasts" for a true Miller treat.

Addendum -

Yes, some of these recordings are considered as "propaganda" (note: keep your spelling checker ON when trying to type this word!) but IMO that only adds to their importance. Miller volunteered for military service with the stated aim of using his music to help the war effort and these recordings show that he did it his way. The narration, both in English and German, doesn't contain any heavy-handed "we will defeat you"-style blathering. Rather, the music is presented as entertainment that crosses national and cultural boundaries and Miller expresses his wishes for eventual peace among nations. There's even a short discussion of how the orchestra members represent different nationalities and religions all working together, with the clear but unspoken aim of rubbing American unity in the face of Nazi hatred. A bit more sophisticated than might be expected for the time, but not surprising, since Glenn Miller was described as a man who "could only [be] fake on his trombone" (- George T. Simon).

If that's "propaganda", so be it. March 20, 2000

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