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Bach: Goldberg Variations
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Bach: Goldberg Variations

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Bach: Goldberg Variations
Music Price: $16.98
As of Jan 9 20:56 EST (details)

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StudioVideo Artists Int'l
Release DateJanuary 31, 1995
UPC Code089948102922
Buy this item$16.98 at Amazon.com
As of Jan 9 20:56 EST (details)
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About Bach: Goldberg Variations

Rosalyn Tureck's Goldbergs are brilliant but curious. Her phrasing is sometimes artificial, studied, and pedantic. Yet she can spin out the minor key variations with a liquid legato and noble flexibility that harkens back to the great Romantic players. Tureck has a brain in every finger, though, and a singular temperament that compels you to listen. This live 1982 recording is a case in point. --Jed Distler Amazon.com essential recording

Tracks

  1. Aria
  2. Variation 1
  3. Variation 2
  4. Variation 3
  5. Variation 4
  6. Variation 5
  7. Variation 6
  8. Variation 7
  9. Variation 8
  10. Variation 9
  11. Variation 10
  12. Variation 11
  13. Variation 12
  14. Variation 13
  15. Variation 14
  16. Variation 15
  17. Variation 16
  18. Variation 17
  19. Variation 18
  20. Variation 19
  21. Variation 20
  22. Variation 21
  23. Variation 22
  24. Variation 23
  25. Variation 24
  26. Variation 25
  27. Variation 26
  28. Variation 27
  29. Variation 28
  30. Variation 29
  31. Variation 30
  32. Aria da capo

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User Reviews

Average user review: 4.0 (11 reviews)

rating: 5 Quotequiet brillianceQuote
Glenn Gould got all the publicity but if you want real Bach playing by an expert who devoted her life to it, try this recording of the Goldberg Variations. Tureck was not flashy or fussy -- no audible moaning and sighing here. She was the opposite of a prima donna. She served the music rather than making the music serve her. Of course, her technique was flawless and she plays with such quiet authority and color. I love this recording. June 24, 2008

rating: 1 QuoteParallel Universe?Quote
People who listen to the Goldberg Variations on piano must live in a parallel universe. Liquid legato? Three minutes of passion? There is no other set of variations of any era for any instrument more "structurally" conceived and unified than the Goldbergs! It's all or nothing, not a string of pearls. Please, please, listen to the harpsichord performances of Trevor Pinnock or Bob van Asperen before you spend money on another pianist's misconception. Ms Tureck's performance, by the way, is particularly inchoate. If you must have piano, try Richard Goode. September 29, 2006

rating: 5 QuoteThe best Goldberg, without a doubtQuote
Like several of the previous reviewers, I have collected numerous versions of the Goldberg Variation (including three of the Tureck performances), this being my favorite piece of music in the universe. To my mind, this live performance recorded in the 80's is without a doubt, the best ever Goldberg. Like all other Tureck performances, there is extraordinary authority, integrity, and a sense of inevitability. Unlike some of her earlier and later versions, there is also is this version tremendous spontaneity and naturalness, and most of all, a sense of profound joy.

The supposedly popular recordings (e.g., by Gould or Perahia) are simply not in the same league. May 12, 2004

rating: 5 QuoteEssentialQuote
A gift for melodic expression and an unerring sense of rhythm make Tureck's the most satisfying of currently available Goldbergs. Not as intellectually pioneering as either of the Gould sets, this is nonetheless the most overtly beautiful of all, calling to mind Schiff at his most expressive in his superb survey of Bach's keyboard works.

Very strong competition from all the other famous sets, but this one has a little more heart and song. In any case, to reasonably appreciate any one set, comparison is essential and one needs 3 or 4 of the great versions - at least. The lucky ones will include this among them. August 26, 2003

rating: 2 QuoteWake me when it's overQuote
I agree with the previous reviewer: this recording contains about three minutes of musical bliss. The rest of it is self-conscious and belabored. July 15, 2001

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