London Philharmonic Orchestra & Scholes - Kashmir: The Symphonic Led Zeppelin
Facts
| Artist(s) | London Philharmonic Orchestra & Scholes |
| Studio | Philips |
| Release Date | October 21, 1997 |
| UPC Code | 028945414522 |
| Buy this item | $17.98 at Amazon.com As of Dec 3 19:58 EST (details) 1 Audio CD, Usually ships in 24 hours, |
Tracks
- Kashmir - London Philharmonic Orchestra,
- The Battle of Evermore - London Philharmonic Orchestra, Page, Jimmy
- Stairway to Heaven - London Philharmonic Orchestra, Bonham, John
- When the Levee Breaks - London Philharmonic Orchestra, Bonham, John
- Going to California - London Philharmonic Orchestra, Page, Jimmy
- Friends - London Philharmonic Orchestra, Page, Jimmy
- All My Love - London Philharmonic Orchestra, Jones, John Paul [1
- Kulu Valley - London Philharmonic Orchestra,
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User Reviews
Average user review:| Kashmir: The Symphonic Led Zeppelin (CD) |
| good stuff (but you will still want the real LZ) |
| I have many styles of Music I like |
| Simply Amazing |
| Kashmir is cool |
One of the few exceptions to this rule is the interpretation of "Kashmir" on this album. I doubt it will become a part of the standard classical repertoire even to the extent that a popular piece such as John Williams' "Imperial March" from Star Wars appears to have (that would be my metric for true success). But it succeeds far better than just about any pseudo-classical pop re-interpretation I'm aware of.
The ingenious move that rescues this piece is probably the arrangement of Robert Plant's vocal melody for a violin that is imbued with a heavy dose of Middle-eastern flair. In that context, Symphonic "Kashmir" is perhaps one of the best testaments there is to Plant's compositional abilities, since, when the melody is sung there is a temptation to focus on the words to the exclusion of the melody itself. It doesn't sink in quite as much just how well written and interesting the vocal melody line really is. Yet in this other context, when it's carried only by a violin, and wholly non-verbal, its intricacies truly come to the fore.
As I said before: I really do doubt this particular piece will become a part of the classical repertoire, but... you know... maybe it should. April 30, 2006
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