Billie Holiday - The Complete Billie Holiday On Verve, 1945-1959
Facts
|
The Complete Billie Holiday On Verve, 1945-1959
Music Price: $169.98 As of Jan 4 17:57 EST (details)
|
| Artist(s) | Billie Holiday |
| Studio | Polygram Records |
| Release Date | March 9, 1993 |
| UPC Code | 731451765827 |
| Buy this item | $169.98 at Amazon.com As of Jan 4 17:57 EST (details) 10 Audio CD, Usually ships in 24 hours, Box set |
About Billie Holiday - The Complete Billie Holiday On Verve, 1945-1959
Tracks
Disc 1- Body and Soul - Billie Holiday, Eyton, Frank
- Strange Fruit - Billie Holiday, Allan, Lewis
- I Cried for You - Billie Holiday, Arnheim, Gus
- Fine and Mellow - Billie Holiday, Holiday, Billie
- He's Funny That Way - Billie Holiday, Moret, Neil
- The Man I Love - Billie Holiday, Gershwin, George
- Gee Baby, Ain't I Good to You - Billie Holiday, Razaf, Andy
- All of Me - Billie Holiday, Marks, Gerald
- Billie's Blues - Billie Holiday, Holiday, Billie
- Trav'lin' Light - Billie Holiday, Mercer, Johnny
- He's Funny That Way - Billie Holiday, Moret, Neil
- You Better Go Now - Billie Holiday, Graham, Robert
- You're Driving Me Crazy - Billie Holiday, Donaldson, Walter
- There Is No Greater Love - Billie Holiday, Jones, Isham
- I Cover the Waterfront - Billie Holiday, Green, Johnny
- East of the Sun (And West of the Moon) - Billie Holiday, Bowman, Brooks
- Blue Moon - Billie Holiday, Hart, Lorenz
- You Go to My Head - Billie Holiday, Coots, J. Fred
- You Turned the Tables on Me - Billie Holiday, Alter, Louis
- Easy to Love - Billie Holiday, Porter, Cole
- These Foolish Things - Billie Holiday, Link, Harry
- I Only Have Eyes for You - Billie Holiday, Dubin, Al
- Solitude - Billie Holiday, DeLange, Eddie
- Everything I Have Is Yours - Billie Holiday, Adamson, Harold
- Love for Sale - Billie Holiday, Porter, Cole
- Moonglow - Billie Holiday, DeLange, Eddie
- Tenderly - Billie Holiday, Gross, Walter
- If the Moon Turns Green - Billie Holiday, Coates, Paul
- Remember - Billie Holiday, Berlin, Irving
- Autumn in New York - Billie Holiday, Duke, Vernon
- Autumn in New York - Billie Holiday, Duke, Vernon
- My Man - Billie Holiday, Charles, Jacques
- Lover, Come Back to Me - Billie Holiday, Hammerstein, Oscar
- Stormy Weather - Billie Holiday, Arlen, Harold
- Yesterdays - Billie Holiday, Harbach, Otto
- He's Funny That Way - Billie Holiday, Moret, Neil
- I Can't Face the Music - Billie Holiday, Bloom, Rube
- MC and Leonard Feather Announcements - Billie Holiday,
- Blue Moon - Billie Holiday, Hart, Lorenz
- All of Me - Billie Holiday, Marks, Gerald
- My Man - Billie Holiday, Charles, Jacques
- Them There Eyes - Billie Holiday, Tauber, Doris
- I Cried for You - Billie Holiday, Arnheim, Gus
- What a Little Moonlight Can Do - Billie Holiday, Woods, Harry
- I Cover the Waterfront - Billie Holiday, Green, Johnny
- Billie's Blues - Billie Holiday, Holiday, Billie
- Lover, Come Back to Me - Billie Holiday, Hammerstein, Oscar
- How Deep Is the Ocean? - Billie Holiday, Berlin, Irving
- What a Little Moonlight Can Do - Billie Holiday, Woods, Harry
- I Cried for You - Billie Holiday, Arnheim, Gus
- Love Me or Leave Me - Billie Holiday, Donaldson, Walter
- P.S. I Love You - Billie Holiday, Jenkins, Gordon
- Too Marvelous for Words - Billie Holiday, Mercer, Johnny
- Softly - Billie Holiday, Beal, Eddie
- I Thought About You - Billie Holiday, Mercer, Johnny
- Willow Weep for Me - Billie Holiday, Ronell, Ann
- Stormy Blues - Billie Holiday, Holiday, Billie
- Say It Isn't So - Billie Holiday, Berlin, Irving
- I've Got My Love to Keep Me Warm - Billie Holiday, Berlin, Irving
- I Wished on the Moon - Billie Holiday, Parker, Dorothy
- Always - Billie Holiday, Berlin, Irving
- Everything Happens to Me - Billie Holiday, Adair, Tom
- Do Nothin' Till You Hear from Me - Billie Holiday, Ellington, Duke
- Ain't Misbehavin' - Billie Holiday, Brooks, Harry
- Nice Work If You Can Get It - Billie Holiday, Gershwin, George
- Discussion: Nice Work If You Can Get It - Billie Holiday,
- Mandy Is Two - Billie Holiday, McGrath, Fulton
- Prelude to a Kiss - Billie Holiday, Ellington, Duke
- I Must Have That Man! - Billie Holiday, Fields, Dorothy
- Jeepers Creepers - Billie Holiday, Mercer, Johnny
- Jeepers Creepers - Billie Holiday, Mercer, Johnny
- Discussion: Jeepers Creepers - Billie Holiday,
- Discussion: Jeepers Creepers - Billie Holiday,
- Please Don't Talk About Me When I'm Gone - Billie Holiday, Clare, Sidney
- Please Don't Talk About Me When I'm Gone - Billie Holiday, Clare, Sidney
- Discussion: Moonlight in Vermont - Billie Holiday, Blackburn, John
- Misery - Billie Holiday, Scott, Tony
- Restless - Billie Holiday, Coslow, Sam
- Moonlight in Vermont - Billie Holiday, Blackburn, John
- Everything Happens to Me - Billie Holiday, Adair, Tom
- Discussion - Billie Holiday,
- I Don't Want to Cry Anymore - Billie Holiday, Schertzinger, Victo
- I Don't Want to Cry Anymore - Billie Holiday, Schertzinger, Victo
- Discussion: I Don't Want to Cry Any More - Billie Holiday,
- Everything Happens to Me - Billie Holiday, Adair, Tom
- Discussion - Billie Holiday,
- When You Are Away, Dear - Billie Holiday, Blossom, Henry
- Discussion - Billie Holiday,
- It Had to Be You - Billie Holiday, Jones, Isham
- The Mood That I'm In - Billie Holiday, Sherman, Al
- Gone With the Wind - Billie Holiday, Magidson, Herbert
- I Got It Bad (And That Ain't Good) - Billie Holiday, Ellington, Duke
- Discussion - Billie Holiday,
- I Don't Stand a Ghost of a Chance With You - Billie Holiday, Crosby, Bing
- Discussion - Billie Holiday,
- I'm Walkin' Through Heaven With You - Billie Holiday, Gordon, Rozz
- Discussion - Billie Holiday,
- Just Friends - Billie Holiday, Klenner, John
- The Nearness of You - Billie Holiday, Carmichael, Hoagy
- They Say - Billie Holiday, Heyman, Edward
- I Don't Want to Cry Anymore - Billie Holiday, Schertzinger, Victo
- I Don't Want to Cry Anymore - Billie Holiday, Schertzinger, Victo
- Studio Talk; Prelude to a Kiss - Billie Holiday, Ellington, Duke
- Prelude to a Kiss - Billie Holiday, Ellington, Duke
- I Don't Stand a Ghost of a Chance With You - Billie Holiday, Crosby, Bing
- When Your Lover Has Gone - Billie Holiday, Swan, Einar A.
- Studio Talk; When Your Lover Has Gone - Billie Holiday, Swan, Einar A.
- When Your Lover Has Gone - Billie Holiday, Swan, Einar A.
- Gone With the Wind - Billie Holiday, Magidson, Herbert
- Please Don't Talk About Me When I'm Gone - Billie Holiday, Clare, Sidney
- It Had to Be You - Billie Holiday, Jones, Isham
- Nice Work If You Can Get It - Billie Holiday, Gershwin, George
- Come Rain or Come Shine - Billie Holiday, Arlen, Harold
- I Gotta Right to Sing the Blues - Billie Holiday, Arlen, Harold
- What's New? - Billie Holiday, Burke, Johnny
- A Fine Romance - Billie Holiday, Fields, Dorothy
- A Fine Romance - Billie Holiday, Fields, Dorothy
- A Fine Romance - Billie Holiday, Fields, Dorothy
- A Fine Romance - Billie Holiday, Fields, Dorothy
- A Fine Romance - Billie Holiday, Fields, Dorothy
- A Fine Romance - Billie Holiday, Fields, Dorothy
- I Hadn't Anyone Till You - Billie Holiday, Noble, Ray
Similar CDs
| Billie Holiday: The Complete Decca Recordings | The Complete Commodore Recordings | Lady Day: The Complete Billie Holiday on Columbia | Lady Day: The Master Takes and Singles | Lady in Satin |
User Reviews
Average user review:| so so |
| Great Music, Bad Layout |
I am a long time Billie Holiday fan and love all of her music; it's taken many years, but I am confident that I have acquired virtually everything she ever recorded. Although I enjoy every period of her musical development, I am particularly fond of the tracks she recorded for Norman Granz on the Verve label in the 1950's. Naturally, I was thrilled when this box set was announced.
While I am grateful to have so complete a box set as Verve has issued here, I have severe problems with the way the material is presented. It's nice that they have released virtually everything in the Verve vaults, but in so doing they have included live performances, alternate takes, false starts, and even some rehearsals. That would have been fine with me, if they hadn't decided to place everything in strictly chronological order. We therefore get Lady Day's great studio sessions interspaced with live concert performances, chatter, rehearsals and incomplete takes, and the total effect makes for very poor continuity. It also makes the boxed set, on the whole, very difficult to enjoy.
A few of the live concert performances have never been released before, and I was thrilled to hear some "new" Billie Holiday. But the audio quality and Billie's performance varies greatly on the live material, and the result is very uneven. And the inclusion of the rehearsal material is questionable, even if you're a die-hard fan like me.
The 1955 rehearsal with Jimmie Rowles is particularly problematic. This session was released on an LP called Songs and Conversations shortly after Billie's death, and I was frankly surprised to find it included here. It consists of mostly drunken rambling conversation while Billie rehearses with her favorite and most sympathetic pianist. Some of the language is quite raunchy, although most of the discussion is hard to follow anyway, as the audio quality is particularly poor. The alternate studio takes are frequently annoying, especially when they include two or three false starts in a row, and the spoken intros by Norman Granz often included in the master takes are completely unnecessary. It would have worked so much better if they had simply separated the live concert material from the studio sessions and then saved the alternate takes, false starts and rehearsal material for the last couple of discs. It's a pity - I would love to be able to listen to all of Billie's wonderful 1950's studio sessions all the way through, without the distractions of the extra material. Happily, I see that Verve will release a new boxed set of just the studio masters in December 2005. Hopefully they will skip all the chatter (I don't need to hear Mr. Granz announce "All Or Nothing At All, take 5"). A great deal of expense and angst could have been avoided if the track layout for this set had simply been better thought out.
As for Billie's performances, there is not a bad moment in any of the studio recordings presented here, including the notorious three April 54 tracks that she later dismissed, complaining that the band was drunk. The musicians are all first rate throughout these sessions, and present her with the sympathetic backing she deserved and worked best with.
November 24, 2005
| The package |
I to bought this when it was originally released and aside from the collected songs and book - which cannot be faulted - the package was as Michael points out beautifully done - it did in fact win a Grammy (for the packaging and the way it was put together - all hardbound etc)- I had intended to buy this box set for my Daughter - however after having read Michael's review I chose not to pay the high cost given the packaging has been downgraded..Like Michael I cannot understand why they would have done this given the cost remains basically the same. If your looking at purchasing I would read Michael's review and then look for the original...
February 10, 2005
| Avoid at all costs |
There is talking between virtually every track (on 7 or 8 of the 10 cds)(scores and scores of title and take numbers spoken, and respoken. The producer introducing tracks by title and making endlessly pointless studio remarks. (Of course the same uninteresting remark
each and every time you play the cd..)
Sometimes songs even stop after a single line is sung (or before). Then reslate, retitle and restart for
another 20 seconds.
Of course the (properly recorded) music itself is wonderful but it's impossible to fall into any kind of musical reverie
with the incessant interruptions (absolutely none of it worth hearing).
So if you like Billie Holiday for her *music* this isn't for you
In fact the box set is so utterly unplayable I rebought the music on individual cds so that I can actually listen to it.
I'm a big Billie fan, I already had all the music on vinyl before I bought the box set.
(Yes, even the very poor bootleg stuff that Verve bought to pad out the box set.)
Finally it's wildly overpriced, around 5/6 of the cd's are only for listening to once (and you might not even manage
that. Billie Holiday as a slurring rambling drunk is a big downer and
the record company might have shown her a little respect and kept the tapes in the vault.
Haven't they made enough off her yet? In the first place they only paid her a fee of $30-$100 per track for a buyout with
with no royalties ever.
In reality at least half the box set is actually unreleasable outtakes/rehearsal tapes - boxed up as full price cds.
The whole thing smacks of record company greed.
So there are only around 4 cds of real, properly recorded releasable master take music.
And these can be bought on 2 double cd sets (unfortunately only from Verve) without the talking between tracks.
Do yourself a favor and get these instead.
Oh yeah, and as if all this isn't enough bad news, they've jammed different sessions on to the same cd - so you get a handful of
prime Billie tracks followed by 40 minutes of amateur home recorded rehearsal talking on the same cd.
So what emerges is that there is only (I think) one single cd which is prime quality all the way through.
(Except for the stopping, retakes and talking between the takes which it also has..)
So get any other Billie Holiday box set than this - but get one!
Verve should be ashamed of themselves for ruining an incredible archive like this.
And making me feel so ripped off that I had to go to the trouble of writing this.
Thanks Amazon for the cheap therapy. January 29, 2004
| a lot of stuff, but indispensable |
That said, this is THE collection for those of us who love Billie's 1950s work. It's all here, and it's all wonderful - those who agree with Miles Davis that Lady Day's chief attribute during this decade was her rhythmic flexibility will be more than satisfied, and those who love her expressiveness will be more than amply rewarded.
The accompaniments are exemplary, featuring many of the greatest players of that Golden Era.
Plus, of course, she's singing some of the greatest songs ever written, and her attention to lyrics is beyond comparison.
She never had Ella's vocal range and flexibility and virtuosity (or her sweetness of sound); she never came close to Sarah's level of musicianship (or her richness of sound). But this set will convince you that Billie was the greatest of the great: to borrow from Virginia Woolf, among major jazz singers, Billie is the hardest to catch at the act of being great.
This is an important release. Miss it at your soul's peril. August 30, 2003
More reviews at Amazon.com ...
