Victoria Williams - Swing the Statue!
Facts
| Artist(s) | Victoria Williams |
| Studio | Mammoth / Pgd |
| Release Date | August 31, 1999 |
| UPC Code | 035498007521 |
Tracks
- Why Look at the Moon - Victoria Williams, Williams, Victoria
- Boogieman - Victoria Williams, Williams, Victoria
- Clothesline
- Tarbelly and Featherfoot
- On Time
- Holy Spirit
- Summer of Drugs - Victoria Williams, Williams, Victoria
- I Can't Cry Hard Enough
- Wobbling
- Vieux Amis
- Weeds
- Lift Him Up
Similar CDs
User Reviews
Average user review:| Vic At Her Best |
As you will note from the other reviews, even those who love Vic don't like her every song, I almost won't listen to some very few. Just wait, your pleasant surprise will arrive in a moment. She is a direct and simple genius, thoroughly steeped in the popular music genres of the United States, and their performance. She is what the Beatles would have been (think McCartney), IF they'd been born 10 years later in the person of a white girl from Louisiana. The various styles only serve as a container for her poetry, by turns silly and moving, sometimes unintelligible (she almost never prints lyrics). This is one of those beautiful creations with passages that cause "The Shivers."
To call her a folk musician may be somewhat accurate, but puts an unnecessary filter on a potential audience. I'd like to offer an alternate comparison, and that is to The Neville Brothers. If you love the Neville Brothers (not just Aaron's voice), you will appreciate that her jambalaya has a different taste, but it's made with the same ingredients. They're both delicious.
And, those of you who find Joanna Newsom irresistable will be similarly delighted with Victoria Williams. Enjoy! June 14, 2008
| Look at that Moon, Inspirator of Many a Tune... |
I remember reading the reviews here, and thinking that the negative reviewers sounded like people who didn't like their conventions played with, and had had them seriously tweaked by this album. The positive reviews, especially the one that references Julie Miller & Co. really grabbed my attention, and the little voice in my head said to give it a chance. So I dropped it into my cart.
It arrived, I loaded it into my iTunes rotation of roughly 27k songs, and forgot about it.
I have so much music in my mix, and I'm always adding new stuff, so frequently tunes I've never heard pop out and charm me. I like it that way. It keeps me on my toes. Anyway, this last half year these odd cheerful lunatic carnival merry-go-round hillbilly hurdy-gurdy Alice went to wonderland through a rabbit hole somewhere down on the bayou piano and accordion inflected tunes kept popping up on occasion, where this obviously touched woman sang with a beautiful quirky voice and unique phrasing. Every time they popped up, I would mark the moment thinking, 'dang, what the heck is that?' For a few months they kept popping, and for some inexplicable reason I never checked.
Finally I realized 'Why Look at the Moon,' was Victoria, and thought, well this one song justifies having purchased this album. Then I gradually made the connection between that loony song and all the rest. It then dawned on me: this album is a minor work of genius.
'Boogie man,' 'Holy Spirit,' 'Vieux Amis' - and 'On Time!' What a hoot of a song! It's that Alabama tune 'I'm in a hurry to get things done' or Toby Keith's song about his list of things to do reinterpreted by a bohemian Cajun mystic. With an organ. She is a better philosopher and theologian than those guys, too. The lyrics are good. Every single time I hear it any crap tarnishing my heart is just seared away, and my soul starts to bob free- Every time this girl comes around on my mix, a piercing shaft of gladness creases my day.
Just recently, about a month ago, I pulled the bulk of this album into my special road mix. I listen to it daily now, along side the likes of Emmylou, Julie Miller, Kasey Chambers, John Prine, and Iris DeMent. Victoria belongs in that company. In some ways she's better than any of them. She's quirkier than even Prine, and her voice and phrasing is unusual - like an Appalachian cabaret songstress, a 19th century fused with postmodern alt sensibility. It's just nutty and marvelous. I'm addicted to it.
Interestingly, one of the only songs I don't like on this album is 'I Can't Cry Hard Enough..' To each their own, I suppose. October 25, 2006
| Not impressed at all... |
| I can't cry hard enough is the reason for buying this |
| Awesome |
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