Claudio Monteverdi, John Eliot Gardiner, Anthony Rolfe Johnson, Lynne Dawson, His Majesty's Sackbutts and Cornetts, English Baroque Soloists, Monteverdi Choir, Nancy Argenta, Anne Sofie von Otter, Julianne Baird, Mary Nichols, Simon Birchall, John Tomlinson, Michael Chance, Mark Turner, Howard Milner - Monteverdi - L'Orfeo / Rolfe Johnson, Dawson, von Otter, Argenta, M. Nichols, Tomlinson, Chance, Baird; Gardiner
Facts
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Monteverdi - L'Orfeo / Rolfe Johnson, Dawson, von Otter, Argenta, M. Nichols, Tomlinson, Chance, Baird; Gardiner
Music Price: $33.98 As of Dec 5 12:06 EST (details)
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| Artist(s) | Claudio Monteverdi, John Eliot Gardiner, Anthony Rolfe Johnson, Lynne Dawson, His Majesty's Sackbutts and Cornetts, English Baroque Soloists, Monteverdi Choir, Nancy Argenta, Anne Sofie von Otter, Julianne Baird, Mary Nichols, Simon Birchall, John Tomlinson, Michael Chance, Mark Turner and Howard Milner |
| Studio | Archiv Produktion |
| Release Date | October 25, 1990 |
| UPC Code | 028941925022 |
| Buy this item | $33.98 at Amazon.com As of Dec 5 12:06 EST (details) 2 Audio CD, Usually ships in 24 hours, Box set |
About Claudio Monteverdi, John Eliot Gardiner, Anthony Rolfe Johnson, Lynne Dawson, His Majesty's Sackbutts and Cornetts, English Baroque Soloists, Monteverdi Choir, Nancy Argenta, Anne Sofie von Otter, Julianne Baird, Mary Nichols, Simon Birchall, John Tomlinson, Michael Chance, Mark Turner, Howard Milner - Monteverdi - L'Orfeo / Rolfe Johnson, Dawson, von Otter, Argenta, M. Nichols, Tomlinson, Chance, Baird; Gardiner
History's first great opera--the story of Orpheus descending to Hades to retrieve his bride Eurydice from the dead, only to lose her again--gets a fine performance (the best overall version currently available) from John Eliot Gardiner and his musicians. Anthony Rolfe Johnson performs the title role with all the beautiful sound you'd expect from an Orfeo; he negotiates virtuoso passages flawlessly and sings passionately without overwhelming Monteverdi's music with too much voice. Julianne Baird as Eurydice and Anne Sofie Von Otter in a gripping appearance as the Messenger are the standouts in a cast without a weak link. Everyone involved, including the chorus and orchestra, performs with such energy, beauty, and precision that even long stretches of recitative never pall. --Matthew Westphal Amazon.com essential recording
Tracks
Disc 1- Toccata
- Prologo: Dal mio Permesso
- Act I: In questo lieto e fortunato giorno/Vieni, Imeneo/Muse, onor di Parnaso
- Act I: Balletto: Lasciate i monti/Ma tu, gentil cantor
- Act I: Rosa del ciel/Io non dirò qual sia/Balletto: Lasciate i monti/Vieni, Imeneo
- Act I: Ma se il nostro gioir/Ecco Orfeo, cui pur
- Act II: Sinfonia - Ecco pur ch'a voi ritorno
- Act II: Mira che sé n'alletta/Dunque fa degni, Orfeo
- Act II: Vi ricorda, o bosch'ombrosi
- Act II: Ahi, caso acerbo/In un fiorito prato
- Act II: Ahi, caso acerbo/Ma io, che in questa lingua
- Act II: Sinfonia - Chi ne consola, ahi lassi?/Ahi, caso acerbo/Ma dove, ah dove/Ahi, caso acerbo
- Act III: Sinfonia - Scorto da te, mio Nume/Ecco Patra palude/Dove, ah dove ten vai
- Act III: O tu, ch'inanzi morte
- Act III: Possente spirto
- Act III: Ben mi lusinga/Ahi, sventurato amante/Ei dorme, e la mia cetra
- Act III: Nulla impresa per uom
- Act IV: Signor, quel infelice/Benché severo/O degli abitator/Quali grazie ti rendo/Tue soavi parole
- Act IV: Pietade, oggi, e amore/Ecco il gentil cantor
- Act IV: Qual onor di te/O dolcissimi lumi/Rotto hai la legge
- Act IV: Ahi, vista troppo dolce/Torn'a l'ombra/Dove ten vai
- Act IV: È la virtute un raggio
- Act V: Questi i campi di Tracia
- Act V: Sinfonia - Perché a lo sdegno
- Act V: Vanne Orfeo
- Act V: Moresca
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User Reviews
Average user review:| Monteverdi - L'Orfeo / Rolfe Johnson, Dawson, von Otter, Argenta, M. Nichols, Tomlinson, Chance, Baird; Gardiner |
| Great recording of a beautiful opera |
| a voice teacher and early music fan |
This opera in performance is begun by the character "La Musica", or music personified ,who delivers a long treatise which in essence proclaims how music can do many things to us emotionally. As this "fable of music" (Monteverdi called it) unfolds we are exposed to the whole gamut of human emotions,from the most euphoric to the most dejected,presented in musical language that is perhaps closer to impassioned speech than recitative has ever been, before or since. The fact that Monteverdi's L'Orfeo has been referred to as the "first true opera in the history of music" has much to do with the fact that Monteverdi had the dramatic ability to synthesize the text, the stage and the music. And it was a favourable time historically and musically to do so. Moreover, he gave very specific directions as to how it would be put together.
And what better musician to record it than John Eliot Gardiner. He has gathered together a wonderful group of soloists in every role; although some parts are small each contribution is perfection which makes for a superb offering to the listener!!!!!In addition, I think the Choral singing was so superior to some other recordings past and present. If you are an early music fan these discs will be truly "music to your ears". May 13, 2006
| Gardiner and crew are amazing! |
| One of the most beautiful operas of all time |
More reviews at Amazon.com ...
