Wolfgang Amadeus Mozart, English Concert, Trevor Pinnock, Barbara Bonney, Catherine Wyn Rogers, Stephen Gadd, Jamie MacDougall, Chevilly Holy Spirit Fathers Choir - Mozart: Coronation Mass - Exsultate, Jubilate - Vesperae Solennes / Bonney, Wyn Rogers, MacDougall, Gadd; Pinnock
Facts
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Mozart: Coronation Mass - Exsultate, Jubilate - Vesperae Solennes / Bonney, Wyn Rogers, MacDougall, Gadd; Pinnock
Music Price: You save 30%! As of Jul 22 12:59 EDT (details)
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| Artist(s) | Wolfgang Amadeus Mozart, English Concert, Trevor Pinnock, Barbara Bonney, Catherine Wyn Rogers, Stephen Gadd, Jamie MacDougall and Chevilly Holy Spirit Fathers Choir |
| Studio | Archiv Produktion |
| Release Date | November 22, 1994 |
| UPC Code | 028944535327 |
| Buy this item | $11.97 at Amazon.com As of Jul 22 12:59 EDT (details) 1 Audio CD, Usually ships in 24 hours, |
Tracks
- Mass In C Major, K.317 'Coronation': Kyrie: Andante maestoso - piu andante - Andante maestoso
- Mass In C Major, K.317 'Coronation': Gloria: Allegro con spirito
- Mass In C Major, K.317 'Coronation': Credo: Credo in unum Deum Allegro molto - 'Et incarnatus est' Adagio - 'Et resurrexit' Primo temp
- Mass In C Major, K.317 'Coronation': Sanctus: 'Sanctus, Sanctus, Sanctus Dominus' Andante maestoso - 'Osanna in excelsis' Allegro assai
- Mass In C Major, K.317 'Coronation': Benedictus: 'Benedictus, qui venit in nomine Domini' Allegretto - 'Osanna in excelsis' Allegro assai
- Mass In C Major, K.317 'Coronation': Agnus Dei: 'Agnus Dei, qui tollis peccata mundi' Andante sostenuto - 'Dona nobis pacem' Andante con moto - Allegro con spirito
- Exsultate, jubilate K.165: Aria: Exsultate, jubilate (Allegro)
- Exsultate, jubilate K.165: Recitativo: Fulget amica dies
- Exsultate, jubilate K.165: Aria: Tu virginum corona (Andante)
- Exsultate, jubilate K.165: Alleluia (Molto allegro)
- Vesperae solennes de confessore K.339: Dixit Dominus (Allegro vivace)
- Vesperae solennes de confessore K.339: Confitebor (Allegro)
- Vesperae solennes de confessore K.339: Beatus vir (Allegro vivace)
- Vesperae solennes de confessore K.339: Laudate pueri
- Vesperae solennes de confessore K.339: Laudate Dominum (Andante ma un poco sostenuto)
- Vesperae solennes de confessore K.339: Magnificat (Adagio - Allegro)
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User Reviews
Average user review:| a voice teacher and early music fan |
Franz Joseph Haydn said of W.A. Mozart(1756-1791) to Leopold Mozart (his father):"I tell you before God and as an honest man, your son is the greatest composer I know in person or by name, he has taste, and in addition to that, the greatest knowledge of composition."
Between 1770 and 1773, Mozart made several visits to Italy which influenced him greatly in his writing of Church Music, for he encountered the music of Palestrina and Allegri et al , a tradition which extended back to those composers, but also included concerted church music in the modern or 'rococo' style. This style with its instrumental 'sinfonias' and florid vocal writing alternating with sober, seemingly archaic movements in the strict style was a mixture of austere and decorative settings and is very much alive in Mozart's Salzburg church music, notably the Vesper Psalms.
Mozart completed the Mass in C major,K317, in January, 1779. Many long-standing but probably erroneous explanations of the nickname 'Coronation Mass' have been put forth, but in fact, there is no real evidence for any of these ideas, so we don't know why, but it doesn't matter at all to us who love his music.
In his last two years at Salzburg Mozart wrote his 2 Vesper Cycles, one of which is 'Vesperae solennes de confessore' K339, in 1780; the liturgical texts are Psalms 109 to 112, Psalm 116 and the Magnificat canticle, each of these 6 parts ending with the doxology.
The Italian operatic tradition held mostly at bay in the Salzburg Masses and vespers had earliler poured forth at its most undiluted in the solo motet 'Exsultate, jubilate', K165. It was composed in 1773, and must surely rank as the most popular of Mozart's vocal work.
What an incredible genius this man was, and will forever be in the eyes of history; I always wonder what else would have come forth from this 'marvel'!?
For the most part, I do like the singing on this disc; especially the Choir, but Trevor Pinnock is a reliable name in the field of music, so one can trust what he puts together. His tempos suit me as does the overall interpretation of Mozart. The soloists are good; my preference is for the Soprano (Barbara Bonney); her rendition of 'Laudate Dominum' is superb. in fact , memorable. It's all enjoyable and well-done! March 4, 2007
| Excellent |
| wonderful |
| A Mozart Mass with a Difference. Buy It. |
The CD is rounded out with two pieces of liturgical music Mozart did for the Archbishop of Salzburg, who happened to like his Masses and other church music to be short. That's why Mozart's masses finish up within 45 minutes while Bach's grand masses run for close to two hours or more.
If you aren't necessarily set on owning a performance of every single Mozart mass, this is a good bookend to your copy (probably more than one) of the 'Requiem'.
While the period instruments used in this performance are nice, I feel no big difference between it and Mozart done with a 20th century ensemble. August 19, 2006
| Beautiful Mozart Choral Compositions |
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