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Method Man, Mary J. Blige - I'll Be There For You/You're All I Need To Get By
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Method Man, Mary J. Blige - I'll Be There For You/You're All I Need To Get By

Facts

I'll Be There For You/You're All I Need To Get By
Music Price: $17.98
As of Oct 13 15:59 EDT (details)

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Artist(s)Method Man and Mary J. Blige
StudioDef Jam
Release DateApril 25, 1995
UPC Code042285187922
Buy this item$17.98 at Amazon.com
As of Oct 13 15:59 EDT (details)
1 Audio CD, Usually ships in 24 hours, Single, Explicit Lyrics, EP
 

Tracks

  1. Puff Daddy Mix
  2. Puff Daddy Instrumental
  3. Razor Sharp Mix
  4. Razor Sharp Instrumental
  5. What The Blood Clot (LP Version)

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User Reviews

Average user review: 5.0 (26 reviews)

rating: 5 Quote13 years and running...Quote
I got this single on tape...didn't hear it bounced all over the radio...then again I wasn't listening to radio or TV much kinda just vibin outside with my people...it was hot then and its hot now...enough said...well not entirely....if you like hiphop this is a great single...if you're just getting into it well I donno January 10, 2008

rating: 5 QuoteClassic CollaboQuote
One of the best R&B/hip hop collaborations ever! Meth is my man and MJB is truly the Queen of hip hop soul! Nuff said. January 19, 2007

rating: 5 QuotePuff Daddy Mix? Come On...Quote
There's no contest. Razor Sharp Mix has probably the best RZA beat ever. So represenative of real Wu Production. RS mix is mad grimey, such a classic. The puff daddy mix sucks October 10, 2006

rating: 5 Quoteback inna dayQuote
why can't rap be as good as it was in the 90's?!this was one of the best videos anyone from da wu had! March 5, 2006

rating: 5 QuoteIt's all about the "Razor Sharp RMX"Quote
When this CDS came out, the Puff Daddy Mix was all over the airwaves. The album version is very true to the Marvin Gaye track, in terms of the accompanying music.

RZA, the man who sculpted many of the early Wu-Tang sounds/solo albums/group albums/etc, came in and remixed his original. It was kind of updated, more futuristic sounding. It's got tight, crisp drums, which was kind of outside of the realm of his normal, "dirty" sound. The melody and bassline might sound repetitive, but its that motion that helps catapult Meth's grimey vocal. The fact that Mary J. still sounds flawless over this very underground Hip-Hop track shows all of their genius. This version rips any of the others in my humble opinion. One of my favorite Meth tracks, ever.

"I gotta love jones..." April 3, 2005

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