Ray Charles - Standards
Facts
| Artist(s) | Ray Charles |
| Studio | Rhino / Wea |
| Release Date | March 3, 1998 |
| UPC Code | 081227521028 |
About Ray Charles - Standards
Tracks
- It Had to Be You - Ray Charles, Kahn, Gus
- Am I Blue - Ray Charles, Clarke, Grant
- Come Rain or Come Shine - Ray Charles, Mercer, Johnny
- Georgia on My Mind - Ray Charles, Carmichael, Hoagy
- Moonlight in Vermont - Ray Charles, Blackburn, John
- Ruby - Ray Charles, Parish, Mitchell
- Stella by Starlight - Ray Charles, Washington, Ned
- Margie - Ray Charles, Conrad, Con
- That Lucky Old Sun (Just Rolls Around Heaven All Day) - Ray Charles, Gillespie, Haven
- Without a Song, Pts. 1 & 2 - Ray Charles, Eliscu, Edward
- Without Love (There Is Nothing) - Ray Charles, Small, Danny
- Makin' Whoopee - Ray Charles, Kahn, Gus
- Cry - Ray Charles, Kohlman, Churchill
- Love Is Here to Stay - Ray Charles, Gershwin, George
- Ol' Man River - Ray Charles, Hammerstein, Oscar
- Willow Weep for Me - Ray Charles, Ronell, Ann
- Oh, What a Beautiful Morning - Ray Charles, Rodgers, Richard
Similar CDs
| Modern Sounds in Country and Western Music | Anthology | Love Songs | Ray Charles Sings for America | Genius Loves Company |
User Reviews
Average user review:| A barely 5 star - but overall solid! |
Yes, Ray perhaps lacks the depth of phrasing and nuances found in Sinatra's or Nat King Cole'; but singing underneath lush strings on the ballads and a swinging band on the uptempo numbers, Ray inflects his own unique style of blues, gospel etc and makes all the songs his own.
The arrangements are superb and never get in Ray's way but support him!
This perhaps is my favorite side of Ray - combining the standards with his unique style - IT'S A WINNER! November 2, 2006
| On Ray Charles' "Standards" |
Finally discovered on Amazon and found it on the CD "Standards"A
terrific album. Some of my most favorite ballads on this one. If you like Ray Charles it's a great collections of songs. Gertrude July 9, 2006
| Love good music |
| Here To Stay |
The album would really be more than worth the price for the three above-mentioned songs alone, but you also get other such outstanding performances as "It Had To Be You", "Am I Blue", "Ruby", "Stella by Starlight", "That Lucky Old Sun", "Willow, Weep for Me", and an absolutely terrific, smile-on-your-face version of Richard Rodgers' "Oh, What a Beautiful Mornin'". (Amazing that such a classic recording was made in 1977 at the same time as the punk invasion and the disco craze.) Ray's "Ol' Man River" isn't the powerhouse that William Warfield's incredible recording is, but it's another standout, mournful and full of soul.
It's impossible to categorize the music on this album--it's a perfect blend of classic pop, jazz, and r&b. Like Ellington or Gershwin, Ray Charles is simply "beyond category", an American original. His voice is of course an absolute marvel--soulful, sandpapery, moving effortlessly from the heartrending to the exhilarating. His range of shadings and expression is like that of a great jazz instrumentalist. And you have to love his little additional touches, like the sly "ha-ha" toward the end of "Beautiful Mornin'". His innate talent is just beyond belief and totally unique, and here he gets to exercise it on some truly first-class lyrics and melodies.
The arrangements can superficially sound a little dated, but the more you listen to these recordings, the more integral they become. The ones for the earlier tracks provided by Ralph Burns (who had worked for Woody Herman) are particularly good. The bands play very well, and the instruments sometimes blend perfectly with Ray's voice to create expressive effects, notably the "dirty" sounds on "Come Rain or Come Shine". And Ray's piano playing (I do wish he cut loose with it a little more!) shines on "Love Is Here To Stay", simply one of the all-time great interpretations of a standard.
A great collection, full of joyful, inspired music-making. February 12, 2004
| You Can't Go Wrong With Ray |
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