Kay Starr - Capitol Collectors Series
Facts
| Artist(s) | Kay Starr |
| Studio | Capitol |
| Release Date | February 1, 1991 |
| UPC Code | 077779408023 |
| Buy this item | $11.98 at Amazon.com As of Nov 15 4:41 EST (details) 1 Audio CD, Usually ships in 24 hours, |
Tracks
- I'm the Lonesomest Gal in Town - Kay Starr, Von Tilzer, A.
- You've Got to See Mamma Ev'ry Night (Or You Can't See Mamma at All) - Kay Starr, Conrad, Con
- You Were Only Fooling (While I Was Falling in Love) - Kay Starr, Faber, Billy
- So Tired - Kay Starr, Morgan, Russ
- Hoop-Dee-Doo - Kay Starr, Unknown
- Bonaparte's Retreat - Kay Starr, King, Pee Wee
- Mississippi - Kay Starr, Simmons, Billy
- I'll Never Be Free - Kay Starr, Benjamin, Bennie
- Wheel of Fortune - Kay Starr, Benjamin, B.
- I Waited a Little Too Long - Kay Starr, Miller, S. Colby
- Kay's Lament - Kay Starr, Stanley, H.
- Fool, Fool, Fool - Kay Starr, Nugetre, Ahmet
- Comes A-Long A-Love - Kay Starr, Sherman, Al
- Side by Side - Kay Starr, Woods, Harry
- Half a Photograph - Kay Starr, Stanely, H.
- Allez-Vous En - Kay Starr, Porter, Cole
- When My Dreamboat Comes Home - Kay Starr, Franklin, David [1]
- Changing Partners - Kay Starr, Darion, J.
- The Man Upstairs - Kay Starr, Stanley, H.
- If You Loved Me (Really Love Me) - Kay Starr, Monnot, Marguerite
- Toy or Treasure - Kay Starr, Altman, Arthur
- Lazy River - Kay Starr, Arodin, Sidney
- Foolin' Around - Kay Starr, Howard, Harlan
- Crazy - Kay Starr, Nelson, Willie
- The Rock & Roll Waltz - Kay Starr, Allen, S.
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User Reviews
Average user review:| Starr Billing |
In her case, after launching her career in 1937 at age 15 with the Joe Venuti orchestra, and then singing briefly with each of the Glenn Miller, Charlie Barnet, and Bob Crosby bands, she struck out on her own in 1945. Her first hit, however, didn't come until 1948, but from that initial Capitol success [track 3] to 1954 [track 21] she would have 28 hit singles, and in this volume you get 18 of them.
After moving to RCA Victor in 1955 she put another ten into the Billboard Top 100 between that year and 1957 before moving back to Capitol where, in 1961, she added another three on the pop charts (one of them included here at track 23), and three more on the Adult Contemporary [AC] charts in 1965/66. Her final AC charted single came in 1967 with the ABC label.
In this volume they give you, in addition to the 19 hits, two unsuccessful singles [tracks 1 and 2], a 1959 LP cut [track 22], a 1962 LP cut [track 24], and another from 1963 [track 25 - which is NOT her hit version of Rock & Roll Waltz which was recorded for RCA Victor in 1955).
The 15-page insert contains several nice shots of Kay over the years, a colour centrefold depicting a number of her LP covers, a complete discography of the contents, and five pages of liner notes by Scott Shea.
I don't know if Capitol is contemplating a volume two, but if they are hopefully they will include: How It Lies, How It Lies, How It Lies [# 26 in 1949]; Ain't Nobody's Business But My Own (the flip of I'll Never Be Free [# 3 pop/# 2 Country] and also a duet with Tennessee Ernie which charted at # 22 pop and # 5 Country on its own in 1950; Oh, Babe [# 7 in late 1950]; Oceans of Tears [# 15 in 1951] and its B-side, You're My Sugar [# 22], again a duet with Tennessee Ernie; Come On-A My House [# 8 in 1951]; Angry [# 26 in late 1951]; Three Letters [# 22 in late 1952 and the flip of track 13; Fortune In Dream [# 17 and the A-side to track 21]; I'll Never Be Free [# 94 in 1961 and a new solo recording]; Four Walls [# 92 in 1962]; Never Dreamed I Could Love Someone New [# 23 AC in 1965]; Tears And Heartaches [# 19 AC in 1966] and its flipside, Old Records, [# 26 AC].
There are legions of her fans out here just waiting. August 23, 2007
| Hitch your wagon to a Starr! |
Most of these recordings capture Starr during her pop phase, though in later years she reinvented herself in the country and gospel genres. Whatever the mood, Starr has the kind of voice that easily adapts to every style. Included here is her million selling "Wheel of Fortune", a song that took a long time to get released because the recording engineers wanted to get an authentic sound of a dice being rolled. "Allez-vous-En" comes from Cole Porter's 1953 Broadway musical "Can-Can", and she gives a very fun reading of it. "Comes A-Long A-Love", one of the quintessential Starr platters, is also here.
Very few female singers of the period were able to touch Starr for sheer vocal ability; hers is an instrument of remarkable scope and clarity, able to convey anything and everything with the simplest inflection of a lyric or phrase. Considering you get a whopping 25 tracks of pure classic Starr, this disc is at a bargain price, and highly-recommended from this reviewer.
[Capitol CDP-7 94080 2] March 20, 2007
| Kay Starr's "Collector's Series" is a must for collectors !!! |
The CD has a wonderful 25 (yes, 25) songs on it; and once you listen it will be difficult to pick your favorite! The CD has her classic hit "Wheel of Fortune" which took forever to produce because they needed just the right sound of the dice at the very beginning of the song. The effect is incredible; and the musical arrangement is also very well done. Other great songs on this CD include the polka "Hoop De Doo," "Bonaparte's Retreat," "Comes A-Long A-Love," "Side By Side," "Allez-Vous-En," "If You Love Me (Really Love Me)," "Lazy River" and "The Rock And Roll Waltz." Incredible!
The quality of the sound is excellent and the musical arrangements are all very well done. A nice plus is Kay's duet with Tennessee Ernie Ford on "I'll Never Be Free" and Kay sings with The Lancers on "Kay's Lament" and "Fool, Fool, Fool."
The liner notes boast an extensive essay about Kay's life by Scott Shea. There are wonderful color photographs of Kay as well as some black and white pictures, too. There are even pictures of her record album covers in a type of collage that is very nicely done. You get the song credits and the release dates and chart dates of each song. Awesome!
This is a great CD for Kay's fans (obviously), as well as fans of classic pop vocals. My only disappointment (and it's a minor one) is that this is a collection of Kay's recordings for Capitol Records so it doesn't have her recordings from her years at RCA, for example. Nevertheless, it is such a quality CD with so much value (twenty five songs) that I still highly recommend it. A quality album--YES! Great job, Kay! ENJOY!!!
July 10, 2006
| Kay Starr,The brightest star in the firmament |
| Starr - Collectors Series |
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