Nina Hagen - Definitive Collection
Facts
| Artist(s) | Nina Hagen |
| Studio | Columbia Europe |
| Release Date | December 25, 1995 |
| Buy this item | $12.98 at Amazon.com As of Dec 3 4:15 EST (details) 1 Audio CD, Usually ships in 24 hours, Import |
Tracks
- Unbeschreiblich Weiblich - Nina Hagen, Praeker, M.
- Naturträne - Nina Hagen, Hagen, Nina
- TV-Glotzer (White Punks on Dope) - Nina Hagen, Evans
- Heiss - Nina Hagen, Hagen, Nina
- Rangehn - Nina Hagen, Potschka, B.
- African Reggae - Nina Hagen, Heil, R.
- Auf'm Rummel - Nina Hagen, Potschka, B.
- Smack Jack - Nina Hagen, Karmelk, F.
- Cosma Shiva - Nina Hagen, Hagen, Nina
- Zarah (Ich Weiss, Es Wird Einmal Ein Wunder Geschehn) - Nina Hagen, Jary
- New York/N.Y. - Nina Hagen, Hagen
- Was Es Ist - Nina Hagen, Balzary
- The Change - Nina Hagen, Rucker
- My Way - Nina Hagen, Anka, Paul
- Universelles Radio - Nina Hagen, Dumas
- Vater Unser - Nina Hagen, Motiven
Similar CDs
| Nunsexmonkrock/Nina Hagen Band | Nina Hagen Band/Unbehagen | Nina Hagen in Ekstase | Om Namah Shivay | The Velvet Underground & Nico |
User Reviews
Average user review:| Definitely not Definitive but GOOD |
All the "best" tracks are here but there are two songs that are missing: Spirit in the Sky and the english version of Universal Radio (which I always thought to be the "main" version of the song), instead you get Universelles Radio in German... don't know why.
Absolutely no booklet or song info either.
But it is as good as it gets... March 3, 2008
| Early Classics |
The second album, Unbehagen, provides the catchy Wir Leben Immer Noch (The Lene Lovich song Lucky Number), the magnificent African Reggae and the catchy Fall In Love Mit Mir. Her music became more accessible with this release, veering into mainstream rock, reggae and pop. Other great songs on this compilation (which is not definitive anymore) include Zarah, Universal Radio, Rangehn, New York New York, Auf'm Friedhof and Auf'm Bahnhof Zoo.
The spark of creative genius burns brightly here in her late 70s/early 80s work, extending the boundaries of rock, punk and reggae in its seamless operatic fusion and innovative rhythmic explorations. She performs with enthusiasm, the playing is tight and the arrangements are just the right side of quirky. The music has aged very well.
December 19, 2006
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