Sean Paul - Stage One
Facts
| Artist(s) | Sean Paul |
| Studio | Vp Records |
| Release Date | March 28, 2000 |
| UPC Code | 054645157223 |
| Buy this item | $8.97 at Amazon.com As of Oct 11 0:23 EDT (details) 1 Audio CD, Usually ships in 24 hours, Enhanced |
Tracks
- Mental Prelude
- She Want It
- Infiltrate
- Nicky (Skit)
- Haffi Get De Gal Ya (Hot Gal Today)
- Real Man
- Dutty Techniques (Skit)
- Check It Deeply
- Mek It Go So Den
- Examples Of Things Not To Do In Bed (Skit)
- Deport Them
- Tiger Bone
- Faded
- Definite
- Shineface (Skit)
- Disrespect
- Sound The Alarm
- Uptowners (Skit)
- No Bligh
- Slap Trap
- Strategy
- A Word From The Hon. Minister (Skit)
- Next Generation
- You Must Loose
- Outro
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User Reviews
Average user review:| A nice debut Album from the prince of Dance Hall |
I had this album on repeat for a long time. Some of the beats you might had already heard but with Sean Paul's voice over it, it makes a whole new sound. I can't pick out a favorite track in this album because I love it so much but if I had to it would be "Infiltrate," "Deport Them," "Haffi Get De Gal Ya," "She Want it," "Mek It Go So Den," "Check it Deeply," and "Next Generation."
While this album is not one of the best Dancehall Reggae has to offer, Sean Paul's debut album makes for a good intro to those who are seriously looking for a true Dancehall Reggae album. Anyone who likes dancehall and are unsure about whether or not to get this album, believe me this would be a nice start. Nothing but back to back non-stop dancehall music and most importantly it's all Sean Paul.
March 23, 2006
| Solid, undistinguished debut |
Simply put, "Stage One" is not an undiscovered gem. It is, however, a good listen.
The two absolute standout tracks here are "Deport Dem" and "Infiltrate". "Deport Dem" is famous partly as a result of its own quality, but also for being an example of the successful "Bookshelf" riddim (so named for Beenie Man's hit single on it). Both tracks of course appear in the introduction to "Dutty Rock" as examples of a sound which a rock band just can't create. Beyond these two tracks, there are moments of brilliance on the rest of the album, but not in song-length form. A lyric here, a phrase there is really the longest the rest of the album sustains top quality for.
By no means is this a slight on Paul's work. As in the case of many debut albums, he just didn't let his full talent shine through enough. Dancehall reggae being a singles-based genre, he had already earned a reasonable following before releasing the album and didn't lose much of it as a result of this performance. As we all know, unless we've somehow been living on Mars in the past few years, by the time the next album came round, it was quite a different story.
Overall, this is a decent album, but not a must-have or anything like that. The dancehall fan will find more than enough to keep them entertained - predominantly on the riddim side of the ledger. The casual Sean Paul fan, however, will probably lose interest here. March 23, 2005
| Wannabe Super Cat |
| I didn't know it was him!! Honestly!!! |
| Solid beginning |
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