Thomas Tallis, Tomas Luis de Victoria, Morten Lauridsen, Francis Poulenc, Sergey Rachmaninov, Franz Schubert, Anonymous, Spiritual Traditional, Henryk Gorecki, Christopher Cock, Robert Shaw Festival Singers, Robert Shaw Chamber Singers - O Magnum Mysterium
Facts
| Artist(s) | Thomas Tallis, Tomas Luis de Victoria, Morten Lauridsen, Francis Poulenc, Sergey Rachmaninov, Franz Schubert, Anonymous, Spiritual Traditional, Henryk Gorecki, Christopher Cock, Robert Shaw Festival Singers and Robert Shaw Chamber Singers |
| Studio | Telarc |
| Release Date | August 22, 2000 |
| UPC Code | 089408053122 |
| Buy this item | $10.97 at Amazon.com As of Jan 9 8:00 EST (details) 1 Audio CD, Usually ships in 24 hours, |
About Thomas Tallis, Tomas Luis de Victoria, Morten Lauridsen, Francis Poulenc, Sergey Rachmaninov, Franz Schubert, Anonymous, Spiritual Traditional, Henryk Gorecki, Christopher Cock, Robert Shaw Festival Singers, Robert Shaw Chamber Singers - O Magnum Mysterium
The trademark qualities of a Robert Shaw-trained chorus included perfect tonal blend and balance, expressive phrasing, and superb tuning. As an interpreter, Shaw hewed to the middle road, steering clear of eccentricities and honoring the composer's intentions. On this tribute disc, we hear these virtues coalesce in works such as Poulenc's austere Christmas hymn "O magnum mysterium," one of three settings of the text here. Shaw was at his best in works whose fervent spirituality he shared, and the selection from Rachmaninov's Vespers, with its repeated alleluias, is a highlight, both radiant and passionate. But then, virtually everything here is a highlight: the Schubert part song done to a turn with soft singing projected in rounded tones; the curve of "Wondrous Love"'s melody perfectly traced; and "Amazing Grace" in Shaw's arrangement all the more moving for its calm dignity. The longest piece, Górecki's Marian hymn "Totus tuus," is otherworldly in an enthralled reading that never loses focus. Like all of Shaw's Telarc recordings, the sonics are first-class. --Dan Davis Amazon.com
Tracks
- Khvalite imya Gospodne, Op.37/8
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User Reviews
Average user review:| very beautiful and relaxing |
| fabulous music |
| A great mix of material |
| This is an amazing, amazing product |
If you aren't blown away by the performance of the Tallis, you'll probably still cry when you hear the Lauridsen later in the CD. One thing about this CD is that after hearing it, my standard for what I could expect in a recording became a lot higher. February 6, 2007
| a voice teacher and early music fan |
When Robert Shaw retired in 1988 as Conductor of the Atlanta Symphony Orchestra he returned to the conducting of unaccompanied choral music, that he had been involved with in the Robert Shaw Chorale in the 1950's and early 60's.
The selections on this disc are taken from several different Telarc recordings that were made at summer festivals he directed during the last decade of his life.
The Poulenc "O Magnum Mysterium" is one of the four motets on a Christmas album made in 1989. "Wondrous Love", "Amazing Grace", and "Sometimes I Feel Like a Moanin' Dove" are from the collection of 'American Hymns and Spirituals', performed and recorded in 1992. Gorecki's motet "Totus Tuus" appeared on 'Evocation of the Spirit' recorded in 1994.
The Summer of 1989, the first year of Shaw's choral festivals in France, yielded an impressive array of unaccompanied music which included Rachmaninoff's 'Vespers' or 'All Night Vigil', Op.37, the two Thomas Tallis pieces and the two in Latin by Vittoria.
"Der Entfernten" comes from a collection of 'Schubert Songs' for Male Chorus taped in the Summer of 1992. Morton Luridsen's 'O magnum mysterium', the most recent composition on this disc as well as the last recorded (1997), was included on 'A Robert Shaw Christmas'.
It is interesting to note that there are no less than three settings of the anonymous medieval text "O Magnum Mysterium". Shaw, a deeply spiritual man, often lamented about the commercialism that had pervaded the celebraton of the American Christmas. He retained a sincere awe for the miraculous details of the Nativity story, and it was natural that he should return again to music having this text, with its wondrous mixture of the homespun and the mystical, the lowly and the most high.
This is a truly interesting variety of compositions featuring a diversified group of fine composers. Any choral group that Shaw conducted always sang with much emotion and always great skill. There is never a 'ragged' entrance OR exit; there is never poor balance between the voices; the diction is crisp and clear and never 'muddied'; and the sound is ethereally beautiful. I would have liked to know who the personnel were in each of his 2 groups on this disc, but they were not listed, so I guess I never will know. Just a fabulous recording!!!!! January 17, 2007
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