Various Artists - Now That's What I Call Music! 5
Facts
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Now That's What I Call Music! 5
Music Price: You save 21%! As of Oct 13 4:49 EDT (details)
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| Artist(s) | Various Artists |
| Studio | Sony |
| Release Date | November 14, 2000 |
| UPC Code | 696998520622 |
| Buy this item | $14.99 at Amazon.com As of Oct 13 4:49 EDT (details) 1 Audio CD, Usually ships in 24 hours, |
About Various Artists - Now That's What I Call Music! 5
The U.S. version of the Now That's What I Call Music series is often pegged as strictly kid stuff. There's no denying that many or most of the singles collected on volume 5 are beloved teen and preteen faves; even with a title cleanup, though, Mystikal's James Brown tribute "Shake It Fast" provides plenty of grownup kicks. As do Destiny's Child, Mya, and Kandi, whose delicious pop-R&B tracks trump the over-30 rock of Everclear's "Wonderful" and Bon Jovi's "It's My Life" for sheer radio wisdom. At the same time, the CD's reliance on cuts stamped from a small handful of templates suggests that a new mainstream revolution is just about due. Till then, the likes of "Don't Think I'm Not" and "Jumpin' Jumpin'" will do just fine. --Rickey Wright Amazon.com
Tracks
- It's Gonne Be Me - 'N Sync
- Give Me Just One Night (Una Noche) - 98 Degrees
- Jumpin' Jumpin' - Destiny's Child
- Don't Think I'm Not - Kandi
- I Think I'm In Love With You - Jessica Simpson
- Faded - SoulDecision
- Shake It Fast - Mystikal
- Case of the Ex - Mya
- Aaron's party (Come Get It) - Aaron Carter
- Lucky - Britney Spears
- Show Me The Meaning of Being Lonely - Backstreet Boys
- Incomplete - Sisqo
- I Wanna Be With You - Mandy Moore
- Doesn't Really Matter - Janet
- Back Here - BBMak
- Absolutely (Story of a Girl) - Nine Days
- Kryptonite - 3 Doors Down
- Wonderful - Everclear
- It's My Life - Bon Jovi
Similar CDs
| Now That's What I Call Music! 4 | Now That's What I Call Music! 6 | Now That's What I Call Music! 3 | Now That's What I Call Music! 2 | Now That's What I Call Music! 7 |
User Reviews
Average user review:| Now 5 |
| The Best NOW CD There Is |
| A good stay-in-touch sampler for 2000, at least |
Track 1, "It's Gonna Be Me" by *Nsync 5/5
For bubble-gummy pop bands of the late 90s, *Nsync is one of the better ones, I think. They always have interesting production. This song grooves, and it has a nice melody. I've picked up a couple *Nsync discs because of this song and I've been happy with them.
Track 2, "Give Me Just One Night (Una Noche)" by 98 degrees 2.5/5
The 16th note groove in the verses should work better than it does for me, but it's okay. The block-harmonized melody in the chorus is a bit too stereotypical for my tastes. Okay, but not great.
Track 3, "Jumpin' Jumpin'" by Destiny's Child 2/5
I keep mentioning groove, but that's about all this song has going for it. There's a melody in the vocals, but it's not very interesting or memorable, and otherwise this is pretty tuneless. Tuneless can work, but this sounds like an incomplete drums/percussion and vocals track, which also makes it overlong.
Track 4, "Don't Think I'm Not" by Kandi 4/5
The opening guitar part sounds like a rip-off of something that I can't quite place. I think it's part Air Supply's "Even the Nights Are Better" and maybe part Christopher Cross' "Arthur's Theme". I haven't heard either for a long time. Anyway, it's changed enough, and I don't mind conspicuous influence in general. Great singing on this track, and a nice, surprising chorus--the strong contrast doesn't seem like it should work, but it does.
Track 5, "I Think I'm in Love with You" by Jessica Simpson 3/5
Of course, this is more than conspicuous influence, the verse and chorus music is a hip-hop drumbeat under a sample of John Cougar Mellencamp's song, "Jack and Diane". I think it works better for the chorus than the verse. I would have rather heard something original on the verses. Simpson can definitely sing, though. This song is nice and catchy, but seems pretty much calculated to be a pop hit, rather than existing because of an artistic desire to express something.
Track 6, "Faded" by Soul Decision 1.5/5
Banal, but with a couple hints of something more interesting wanting to pop out, particularly in the chorus, but I can't get over the lame bass and drum part, the hokey rap break, or the hokey 16th-note "chingy" guitar part. This stuff should only be done this way as a joke by this point.
Track 7, "Shake It Fast" by Mystikal 4/5
Nice. If James Brown did hip-hop. Too bad he hasn't kept out of jail and kept current like that. This is an example of how to do sparse (like the Destiny's Child track) right--it's not tuneless, just minimalistic.
Track 8, "Case of the Ex" by Mya 4.5/5
This has a creative structure with some very interesting orchestration. The whole song, except for the bridge, is the same chord sequence/groove repeated over and over, but the subtle orchestration builds it and develops variations that avoid monotony. The bridge is equally creative and unusual. The vocals are far more traditional but very well done.
Track 9, "Aaron's Party (Come Get It)" by Aaron Carter 1.5/5
The many samples are put together competently, but there's nothing very special or interesting about them. Carter is pretty useless as a rapper. Overall, it sounds like a bad skit from the New Mickey Mouse Club.
Track 10, "Lucky" by Britney Spears 5/5
Spears isn't anything special (or rotten, either) as a singer, but she tended to have excellent producers, songwriters and musicians working for her. These guys thoroughly know their craft. This song is no exception. Very catchy, with great, unusual production and very solid musicianship. I've picked up a couple Spears CDs, too, and like them a lot.
Track 11, "Show Me the Meaning of Being Lonely" by Backstreet Boys 3.5/5
Also solid craftsmanship, but a bit too traditional, over-the-top early 1980s styled Adult/MOR production for my tastes. It tends to sterilize things. Still, this is a decent, well-written song.
Track 12, "Incomplete" by Sisqo 2.5/5
The very beginning is so hokey-syrupy that it's scary, but it quickly recovers some authenticity. Okay song, but too by-the-numbers. A computer program could have written it.
Track 13, "I Wanna Be With You" by Mandy Moore 5/5
Very melodically and rhythmically interesting vocal, sung well by Moore. This has a surprising, almost kd lang-ish feel, and I love lang. You can also hear a heavy, almost trippy 1960s pop influence at times. Yet, it is able to still remain very commercial. Well done.
Track 14, "Doesn't Really Matter" by Janet Jackson 5/5
I liked Jackson long before hearing her here. Impressive singing with a difficult melody as always, with very creative grooves, production, song structure and effective harmony/chord progressions.
Track 15, "Back Here" by BBMak 5/5
A great combination of styles, from slightly Beatles-esque, folky verses to the very artfully written hip-hop/new country choruses. I need to hear more from this artist.
Track 16, "Absolutely (Story of a Girl)" by Nine Days 4/5
A bit derivative and typical, but a good, catchy song. The prechoruses and the short bridge (before the guitar solo) work the best.
Track 17, "Kryptonite" by 3 Doors Down 2/5
Why does the production on this sound horrible? Anyway, the beginning is orchestrated unusually, but doesn't do anything for me--the chord progression and drums are way too banal, the bass (when it arrives) is on autopilot, and that's the case for the whole song. Not much of a melody either.
Track 18, "Wonderful" by Everclear 2.5/5
Argh. Another insipid chord progression and groove. The choruses are better, but not enough.
Track 19, "It's My Life" by Bon Jovi 3/5
More banality harmonically on the verses, but the production makes up for it a bit. Also a nice, typically effective, melodic and anthemic chorus for Bon Jovi. July 27, 2006
| Vol. 5 |
Pop/R&B sensations Destiny's Child make the grade with 'Jumpin' Jumpin', and while it's not the best song on the album (Bug-a-boo was) it still deserves to be heard. As does Kandi's 'Don't Think I'm Not' which I had all but forgotten about until slipping this in the other day and reliving the fun and energy in this great track. Simpson before she sucked...well, she still wasn't anything great but at least she could carry a tune.
LOVE 'Faded' and always will, just a great song with a great vibe and some dirty lyrics while still remaining somewhat clean! Mystikal is great, but 'Shake it Fast' should never be cleaned up, it just loses EVERYTHING! Loved Mya when 'Case of the Ex' was released, and while she's lost something with me over the past few years this song will always be one I enjoy.
Skip the yuck that is Carter.
Britney should have puked on 'Lucky' when they handed her this crap, instead she sung it and we all had to listen to it. Thank god she became a skank. I can take or leave Backstreets offering, just not the best for them. Sisqo should have never left Dru Hill, or was it that they should have never taken him back...I always forget. Mandy gives us more of what we like (although she's a far better actress than singer...but a far better singer than the other teen queens) and Janet finally gives me a track to be proud of...I just love this little ditty! BBMak, Nine Day, 3 Doors Down, Everclear and Bon Jovi (!) close out the album with it's rock/poprock set and they do a decent job, everyone of them, although Everclear and Bon Jovi stand out as the vetrans and the more polished artists, although I will mention that BBMak's track was very good for a new artist.
All in all it's good but I don't know if they can really be forgiven for giving us 'Aaron's Party'! July 17, 2006
| Now 5 |
So as you can see, this has something for everybody: pop, R&B, hip-hop, rap, and even rock. It has everything from boy bands to teen pop soloists to rock bands. I recommend you buy this Cd, although I definitely recommend that you skip the *N Sync song and go right to track #2. Almost every song from track #2 on is worth listening to. Buy this Cd if you haven't yet already! November 17, 2005
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