Liz Callaway - The Beat Goes On
Facts
| Artist(s) | Liz Callaway |
| Studio | Varese Sarabande |
| Release Date | May 15, 2001 |
| UPC Code | 030206210620 |
| Buy this item | $17.98 at Amazon.com As of Aug 28 16:06 EDT (details) 1 Audio CD, Usually ships in 24 hours, |
About Liz Callaway - The Beat Goes On
Tracks
- The Beat Goes On / Feelin' Groovy (Bono/Simon)
- Half as Big as Life (from "Promises, Promises") (Bacharach-David)
- You Don't Own Me (Madara-White)
- Frank Mills (from "Hair") (MacDermot-Rado-Ragni)
- Didn't We / MacArthur Park (Webb)
- Up, Up and Away (Webb)
- Monday, Monday (Phillips)
- Wedding Bell Blues (Nyro)
- Leavin' on a Jet Plane (Denver)
- When I'm Sixty-Four (Lennon-McCartney)
- Moon River (from "Breakfast at Tiffany's) (Mancini-Mercer)
- Wouldn't It Be Nice? (Wilson-Asher-Love)
- Where Have All the Flowers Gone? (Seeger)
- Downtown (Hatch)
Similar CDs
| The Story Goes On: Liz Callaway On & Off Broadway | Anywhere I Wander - Liz Callaway Sings Frank Loesser | Sibling Revelry | Rodgers and Hammerstein's South Pacific | Xanadu on Broadway |
User Reviews
Average user review:| Liz Callaway's Music Goes On... |
I love her rendition of "Frank Mills", especially the arrangement and the melody. And her tender ending was really beautiful. I also like her energetic and lively "Wedding Bell Blues". She managed to make "Wouldn't It Be Nice" and "When I'm 64" suit her voice even though the arrangement didn't totally veer from the original.
To the downbeat songs, I probably like "Didn't We/McArthur's Park" and "Leaving on a Jet Plane" the best. Both were simple and heartfelt renditions especially the former. But for some reason her version of "Moon River' didn't appeal to me. I don't know it sounds a little too pretty for me.
Grade: A- May 5, 2006
| Callaway tackles the 60s |
I've heard her work in musical theatre and in other solo recordings and while this is a lovely attempt to tackle the Pop medium and wrap her solid voice around something other than showtunes, it's only partially successful because Callaway seems more comfortable with the ballad-like message songs than with the up-tempo pop ditties of the period.
Her rendition of "Where Have All The Flowers Gone?" is magically poignant, as she works the repetition in the lyrics and melody into an almost hypnotic anti-war message. She soars through "Didn't We/McArthur Park" with a depth usually not associated with these songs. The tempos and arrangements, while not always even on this recording, work magic by slowing down the often annoying tempo of "Didn't We" and somehow making it sadder than usual. Also, Callaway sings the lovelier song within a song in Jimmy Webb's complex "McArthur Park" and avoids the cliché ridden chorus about the cake and the rain.(Dionne Warwick also did this in her 60s lp "Valley of the Dolls" to great success.) The result is lovely and one of the most moving moments on the CD.
But the definitive tear-jerker comes totally from left field. Callaway embraces "Leavin' on A Jet Plane" with a subtle nuance of regret mixed with love and longing that makes the song work on more levels than I've ever heard before. This track is the definitive highlight of the entire venture.
If only Callaway were so successful with the up-tempo Pop hits on this CD, which totally seem to escape her interpretive grasp. "Wedding Bell Blues", "Downtown", "Up Up and Away", "When I'm Sixty-Four" and particularly "Wouldn't It Be Nice" seem completely out of place and out of genre for this talented ballad singer. Without solid lyrics she struggles to get her point across. And some of these popular tunes, while hummable and great radio hits, have almost no lyric-depth to them.
It's only when she has strong lyrics, especially concerning love/relationships, that Callaway truly shines on this CD. May 29, 2003
| Liz obviously loves sixties music - it shows in this album. |
Musicals (Half as big as life from Promises Promises, Frank Mills from Hair), movies (Moon river from Breakfast at Tiffany's), surf music (Wouldn't it be nice), folk music (Monday Monday, Where have all the flowers gone), the Beatles (When I'm 64), women's lib (You don't own me) - all these and more are represented, yet the whole album hangs together brilliantly.
Liz's favorite sixties song is Downtown, and she indicates in the album notes that doing this album gave her the excuse she needed to record it, although I've come across the song on all sorts of albums that I wouldn't expect it to be on. Liz's version is stunning, certainly one of the best.
So, Liz didn't really need to record a whole album of sixties music just for one song, but I'm glad she did. Her clear soprano voice and obvious enthusiasm for the music shine on each and every track.
If you like sixties music, this is as good a sixties tribute as you are ever likely to find, with plenty of variety.
Buy and enjoy !!!! June 30, 2002
| Retro FRESH! |
| I loved this CD |
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