The Jackson 5 - Dancing Machine/Moving Violation
Facts
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Dancing Machine/Moving Violation
Music Price: You save 42%! As of Sep 1 17:14 EDT (details)
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| Artist(s) | The Jackson 5 |
| Studio | Motown |
| Release Date | August 14, 2001 |
| UPC Code | 044001438424 |
| Buy this item | $10.97 at Amazon.com As of Sep 1 17:14 EDT (details) 1 Audio CD, Usually ships in 24 hours, Extra tracks, Original recording remastered |
About The Jackson 5 - Dancing Machine/Moving Violation
The Jackson 5's final two Motown albums were both of their time--the early disco era--and an unwitting look into a future of dance-floor smashes like "Shake Your Body (Down to the Ground)" and "Don't Stop 'Til You Get Enough." Dancing Machine quickly appeared as its title track (a remix of the Get It Together original) and it became one of the J5's biggest singles ever in early 1974. Hardly a slapdash release, it placed the hit between two thematically and sonically similar tunes ("She's a Rhythm Child" and "The Life of the Party") and offered the ambitious rock-disco fusion "I Am Love." Likewise, Moving Violation's biggest artistic successes were aimed straight at would-be hip shakers. A Brian Holland-produced remake of the Supremes' "Forever Came Today," "Body Language," and "Moving Violation" are the highlights, with a rare club remix of "Forever" the pick among two bonus tracks. --Rickey Wright Amazon.com
Tracks
- I Am Love
- Whatever You Got, I Want
- She's A Rhythm Child
- Dancing Machine
- The Life Of The Party
- What You Don't Know
- If I Don't Love You This Way
- It All Begins And Ends With Love
- The Mirrors Of My Mind
- Forever Came Today
- Moving Violation
- (You Were Made) Especially For Me
- Honey Love
- Body Language (Do The Love Dance)
- All I Do Is Think Of You
- Breezy
- Call Of The Wild
- Time Explosion
- Through Thick And Thin
- Forever Came Today (Disc-O-Tech #3 version)
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User Reviews
Average user review:| One of their highly underrated albums. |
To me I actally believe this is their best album of their Motown releases. Every song is great and their is no filler here(believe it or not). Michael's vocals were in peak form, and Jermaine's coleads are remarkable as usual. If your a true Jackson fan or fanatic this album is a must have. The Dancing Machine album is also exceptional with standouts being the afformentioned title song, "I Am Love","Life Of The Party", and "Whatever You Got I Want". These are the last to albums with Motown before they left (minus Jermaine and with brother Randy) to sign with Philadelphia International/Epic. Two great albums one great disc, and a ton of hits you'll be singing for a while!!!
July 17, 2006
| Could Mike still hit those notes? |
1) The group was clearly heading into the funk/disco era. There are some damn good dance tunes on both albums. However, there are two bubblegum songs on Dancin Machine. "If I don't love you this way" is one of them. Personally, I like this ballad, but the fact that Mike's voice was still in transition gives the song more of a childish feel. Both CDs have knockout songs and great ballads, but the Moving Violation album proves that the Bubblegum is gone for good.
2) Mike's voice is in peak form on these albums in my opinion. It's evident that his voice matured during the Dancin Machine recording sessions because he sounds more mature on some songs than on others (For instance, he sounds less mature on "What you don't know" than he does on most others) His voice wasn't childish at all on the Moving Violation CD. His voice was such an instrument. He could reach the top of his tenor voice in an instant. There's no falsetto, no hiccups, no grunting, no "hee-hees!!" The boy could SANG. Listen to "All I do is think of you" and you'll see what I mean. Damn, I wonder if he could still sing like that? Or was his voice change still incomplete? I'm not sure, but regardless, many of MJ's forgotten, but best vocal performances r on these albums. Quite honestly, the material is pretty good on both albums. I wonder why these albums flopped? April 24, 2006
| masterpieces from the jackson 5 |
moving violation is funky too but it's full of hits and misses. Body Language, Breezy, call of the wild and a couple others are great but it doesn't flow as well as dancing machine though I give it to them for bringing fans the funk in their music before leaving motown to join epic
October 25, 2005
| The Aftermath of Dancing Machine |
| The mature J-5 delivers again |
Although DANCING MACHINE (1974), entitled as such to capitalize on the success of the single (which was originally on GIT), has several different producers, they all attempted to keep the same theme in mind: to come up with funky and exciting sounds for the J-5, and that they do. Opening with the fantastic nearly eight-minute funk/rock dance groove of "I Am Love", you know that you are in for something special. Jermaine primarily handles the leads on this song, with Michael coming at the bridge. "Whatever You Got, I Want" is bluesy and has a slinky-type of feel with great lyrics. "She's a Rhythm Child" is basically a knockoff of "Dancing Machine", but it's not all that bad. The single edit of "Dancing Machine" is next, and nothing more need be added about the extraordinary appeal of this song.
Next is the J-5 dance classic, the quick-paced "Life of the Party", an all too-short song I would love to hear remixed to be a bit longer. "What You Don't Know" is another funky dance jam, then we have two great ballads back to back: "If I Don't Love You This Way" (Michael on lead) and "It All Begins And Ends With Love" (Jermaine on lead). DM closes out with "Mirrors of My Mind", keeping the funk/dance theme intact.
Most of the tracks on MOVING VIOLATION were produced by Brian Holland of Holland-Dozier-Holland fame. Holland had produced a great solo album for Michael entitled FOREVER MICHAEL earlier that year (1975), and it was a good move to extend that collaboration to producing some solid tracks for the J-5. Even though by this time, the brothers were not happy with Motown's treatment of them, MV is one of the best albums that they ever recorded. Not as funky as GIT or DM, but it feature mostly smooth, infectious dance tracks. It was technically their last on Motown and Jermaine's last appearance with his brothers, so they did go out with a bang. An old Supremes track from 1967 that was not a hit for those ladies but did fairly well for the J-5, "Forever Came Today" was the big hit from this album. Reworked into a driving 6 minute disco anthem, "Forever" will have you looking for your dancing shoes. "Moving Violation" is another funky disco cut, with clever lyrics...reminds you of "The Love You Save" theme-wise. The sexy dance tracks "(You Were Made) Especially for Me", "Honey Love" and "Body Language" (another well-known track from this album) increasingly moved the brothers into more mature waters. Most notably, "Especially For Me" has a hint of the Philly Sound that the Jacksons would take on their first two albums for Epic/CBS. Michael's vocals on the gorgeously harmonious "All I Do Is Think of You" are simply beautiful and further proves that his voice made a seamless transition from boyhood to adolescence. "All I Do" is the only ballad on MV and a Quiet Storm radio classic, and still extremely popular today. The final three tracks, "Breezy", "Call of the Wild" and "Time Explosion" has futuristic touches of lite jazz and rock, material the brothers began to get into way back on GIT and on "I Am Love" from DM.
Two bonus tracks are included as well: a sweet ballad with Jermaine on lead vocals, "Through Thick and Thin", sounds like a throwback to the SKYWRITER album - and another mix of "Forever Came Today", although I can't really hear much difference between this one and the original, except that the second half of the song is completely instrumental.
These two albums together are a perfect combination! As much as I enjoy the J-5's earlier classic work, I feel DM/MV are far more interesting and artistically challenging. If you love dance music and the Jackson 5, then this is the CD for you!! Party over here!! August 27, 2005
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