Nick Glennie-Smith - We Were Soldiers: Original Motion Picture Score
Facts
| Artist(s) | Nick Glennie-Smith |
| Studio | Sony |
| Release Date | May 14, 2002 |
| UPC Code | 696998994027 |
About Nick Glennie-Smith - We Were Soldiers: Original Motion Picture Score
Composer Nick Glennie-Smith seems to have taken his tip from Barber, composing and arranging an orchestral score of pensive grace and quiet, dramatic power for this Mel Gibson-Randall Wallace Vietnam war dramatization. It's music that underscores the point that the true heroism of war is often more about personal survival than it is about battlefield victory. The Spartan strains of Joseph Kilna Mackenzie's "Sgt. Mackenzie" (originally written as a tribute to Mackenzie's grandfather, a WWI vet) occasionally percolate up in the arrangements, giving the score a battle-weary sense of spirituality that spans the ages. The composer's solo-trumpet denouement "Final Departure" is as emotionally powerful as it is antiheroic, leading to a gospel-infused end-credit sequence that further underscores the story and scores a compellingly human sense of scale. The talented Glennie-Smith has toiled in middling comedies and actioners for years, but this powerful work promises exceptional things to come. --Jerry McCulley Amazon.com
Tracks
- Prelude
- What Is War?
- Look Around You
- Flying High
- First Step
- NVA Base Camp
- Telegrams
- More Telegrams
- I'll Go With You
- Horrors
- Photo Montage
- That's A Nice Day
- Jack
- Jack's Death
- Final Battle
- Final Departure
- End Credits
Similar CDs
| We Were Soldiers | Saving Private Ryan: Music From The Original Motion Picture Soundtrack | Band of Brothers | Black Hawk Down | We Were Soldiers |
User Reviews
Average user review:| One of the best movie soundtracks |
| Great Companion to the Movie |
| Faithful To The Movie |
| Glennie-Smith's "The Thin Red Line" |
"What is War?" starts with low strings then transitions to militaristic percussion and a soft French horn playing the main theme.
"Look Around You" starts off a bit emotional with low strings sounding almost funeral like with distant-sounding bell clangs. Around 2 minutes and 45 seconds, the low strings grow silent and are replaced by a ticking clock with soft, high-pitched stings and slowly builds tension with low strings as the soldiers are leaving their homes to go off to war. The track ends with high strings and soft brass blows.
"Flying High" is another good track which is dominated by vocals. A male voice sings the opening of the track then the songs tenses up with high strings and a female voice as the helicopters carry the soldiers to the battlefield.
"Final Battle" is the only action song of the bunch, if I can even call it "action". It starts with the same male voice from "Flying High" then turns into a tense, electronic percussion section before fading into a long, quiet solo of the male voice.
"Final Departure" is the most heartbreaking song. It's very mournfully played mainly by strings. It ends with a solo trumpet salute to the troops for their sacrifice.
Wonderful score. Sadly, Glennie-Smith hasn't done anything big in the States since then. I eagerly await his next big project with Randall Wallace. Until then, pick this one up with The Thin Red Line, Saving Private Ryan, Band of Brothers and The Great Raid. If you're fortunate enough to find it, pick up U-571 as well. February 8, 2006
| Check MacKenzie's band! |
More reviews at Amazon.com ...
