Peter Gabriel - Security
Facts
| Artist(s) | Peter Gabriel |
| Studio | Geffen Records |
| Release Date | May 7, 2002 |
| UPC Code | 606949326623 |
| Buy this item | $11.97 at Amazon.com As of Nov 27 20:04 EST (details) 1 Audio CD, Usually ships in 24 hours, Original recording remastered |
About Peter Gabriel - Security
After three eponymous discs noteworthy for their thematic richness and musical experimentation, Peter Gabriel yielded to conventional wisdom by actually titling this 1982 successor. In every other respect, however, Security was another stride beyond the progressive-rock terrain Gabriel had explored from Genesis forward. Most crucially, he goes deeper into the heart of world music and further investigates the African sources first invoked on the prior album's magisterial track, "Biko." Security is steeped in polyrhythms, sculpted with synthesizers, and detailed with percussive textures set to a low boil beneath Gabriel's yearning vocals. Its themes of transcendence and identity, and contrasts of modern isolation with primordial community, reverberate through "Lay Your Hands on Me," "I Have the Touch," "The Rhythm of the Heat," and "San Jacinto." And in "Shock the Monkey," the set's initial hit, Gabriel portentously stands dance rhythms on their head in a troubling, funny riff on the mammal within. --Sam Sutherland Amazon.com essential recording
Tracks
- The Rhythm Of The Heat
- San Jacinto
- I Have The Touch
- The Family And The Fishing Net
- Shock The Monkey
- Lay Your Hands On Me
- Wallflower
- Kiss Of Life
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User Reviews
Average user review:| An amazing auditory and emotional experience |
But let's talk about the sheer auditory power of the music. Other reviewers have described it better here, but folks...this is an incredible sonic ride. Gabriel delights in both subtle and powerful play with African-inspired rhythms throughout the record. The drum/percussion climaxes on "Rhythm..." and "Lay Your Hands...," will absolutely blow your mind and leave you breathless. "Security" is experienced more than heard. Nowhere else in Gabriel's catalog (or that of most other modern rock performers) is the artist able to manipulate the listener's emotions and intellect to tell his stories as powerfully as he does on this record. Most of the songs may sound more experimental for mainstream pop listeners, in terms of the instrumentation and rhythms, but Gabriel more than makes up for it with the power and beauty of his arrangements and melodies. One of his best records. July 4, 2008
| Secure Gabriel |
I'd recommend picking up Peter Gabriel's first album before this one, as that has slightly more sonic variety. I like "Security", but it does feel a bit distant and set apart. November 23, 2007
| The Cover Says It All! |
| Gabriel's rhythmic album |
This is an all digital recording and the sound quality is pretty good. For some reason, the original had better sound quality than So, which wa released four years later. There is now a remastered version. I don't know if it is worth getting if you have the original, but there was room for sound quality improvements.
This is Gabriel's more into rhythmic and "world music" sounds. There is much reliaance on a percussive sound and a driving beat.
The sound is much different than the first three Gabriel albums, which were more a progressive and new wave sound. This was turning point for Gabriel, and all of his later albums would continue in this vein.
There a number of excellent, long and deliberate songs, with strong driving beats.
This ablum introduces a new formula for hit making for Gabriel, with his first big hit, Shock the Monkey. This same formula would be repeated later with Sledgehammer (driven by an MTV video), Steam and Kiss That Frog.
This album was supported by a concert tour which is feature on the live album, called "Plays Live". It is the best live album Gabriel has released. This is mainly due to the fact that the songs on Security translate well to a live show. May 28, 2007
| A perfect score |
I still remember the tour for this release, it was so special when Peter enter the stage, not from behind but in front of it, passing through the crowd at the other end of the Québec Coliseum until he reach the stage, maybe ten minutes later...the crowd just went crazy. Amazing concert, just like this cd ! Greatly done ! March 16, 2007
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