Fourplay - Heartfelt

It's hard to believe that this is the eighth Fourplay album. It seems that the group tried so hard to duplicate the commercial success of their first three albums that they sleepwalked through the next three. Now freed from the corporate culture of the monolithic record company they once answered to, the supergroup has re-energized and finally, after 10 years, surpassed the artistic success of their marvelous self-titled debut. It's as if some of their smooth-jazz slickness has been worn away, because Heartfelt actually shows there are some hard edges to the group. Oh sure, Harvey Mason's "That's the Time," Larry Carton's "Rollin,'" and Nathan East's "Let's Make Love," may find their way to radio and help push album sales, but on many of the tracks, including two they wrote collectively ("Galaxia," "Café L'Amour"), there's a bit too much sizzle for airplay. Carlton has really settled into the group and he actually has some burning guitar solos that will also never be heard on said staid airwaves. On a couple of tracks, Bob James echoes his very popular '70s keyboard sound, especially "Break It Out," which is very reminiscent of his classic "Westchester Lady." --Mark Ruffin Amazon.com

Fantastic Fourplay!

Wonderful, sultry, smooth jazz CD! The track "Let's Make Love" had exactly the desired effect I was going for during dinner with my teenaged son... face covered with his hands, "MOM! That's just sick!" Ahhh, well, a mother of teens must find creative consequences for those sulky, sullen days, arriving home an hour late without a phone call, etc.

This is a welcome addition to a growing collection of smooth, relaxing jazz music to enjoy at the end of my busy days. October 6, 2007

Heartfelt

In excellent condition,wonderful music to relax to or to wind down to after a busy day. September 26, 2007

AMPLIFIED FIRE

I think the even the devoted jazz fan should be forgiven if he confuses HEARTFELT with a more recent Bob James solo CD or even (at times) a Larry Carlton project. Most of us hardly think this is a bad thing. Both James and Carlton have such distinctive voices that that it is not surprising their presence can overwhelm any standard quartet arrangement. In the particular case of this CD, I challenge anyone to play HEARTFELT next to James' MORNING NOON & NIGHT and tell which is which in a blindfold test. Unless you can detect Carlton's playing in the mix, you can't.

To a large degree, this is like the similarity between a Tom Petty and The Heartbreakers CD and a Tom Petty solo project. Aside from the shuffle of backup players, we're talking pretty much about the same thing. This dominance of one player is constantly contradicted by the obvious camaraderie among the members of Fourplay. With Carlton replacing Lee Ritenour a couple of albums and several tours ago, it is safe to say he is fully integrated with the group. Perhaps this accounts for the amplified "fire" in the playing for HEARTFELT. But for my money this is still Bob James band.

All that having been said, Fourplay are (without much fanfare) moving away from the glossy "smooth jazz" sound that found its commercial market way back in the 1980's. That formula paid a lot of bills and sustained a boatload of careers; but there is a huge "been there done that" albatross hanging around the format. Listeners who have been with the format from the beginning are moving on. The musicians themselves are either retiring or itching to go to a new level. Better than most, Fourplay are well respected enough within and outside the "soft jazz" design that they can stretch themselves. It also doesn't hurt they have a solid and loyal fan base.

The first four pieces kick off the CD with promising assured confidence and inventiveness. "Galaxia" is a little mysterious while "That's The Time" is quietly busy and hinting at something sneaky. "Break It Out" And "Rollin'" both hit their own funky grooves and ride them out. Unfortunately, "Let's Make Love" with Babyface disrupts the flow. Like most other reviewers, I consider "Let's Make Love" is out of place here. Perhaps, the members of Fourplay thought they just couldn't totally break free of the old format altogether; but even so it is pretty much a below average song for Babyface.

"Heartfelt" returns to form and is more meditative and reflective than any of the previous cuts. The general tone of the piece reveals it is a remembrance rather than a present tense avowal of sentiment. "Tally Ho" is one of the strongest cuts on the album-just behind "Galaxia" overall. In contrast to the rest of HEARTFELT, "Tally Ho" is an openly joyful number one imagines an uncomplicated pleasure in driving home from a good day at work. "Café L'Amour" affects a slow, smoldering undercurrent of one casting his/her romantic enchantment on another. "Ju Ju" meanders and threatens like a witch doctor wordlessly passing by. "Going Back Home" is a semi-vocal number that is surprisingly sinister. "Karma" is playful in an understated way and ""Making Up" is a slow, romantic, longing closer to one of Fourplay's better efforts.

Some speculate that Fourplay's freedom from their old record company has allowed them to be more daring with a wider range of moods. I don't know about that. What is certain is that the usual suspects will still be dissatisfied that Fourplay has not moved even farther than they have. Equally certain is that the loyalty of Fourplay's fans is amply rewarded here.
December 8, 2004

Mimusic

This was not one of my favorites. Unfortunately, Track 5 "Let's Make Love" was my favorite and there was no relevance to the title nor music. It was rather out of place, yet, I am one of their greatest fans and I will remain that. I am in the process of buying the new album...maybe they revamped on this one. I would recommend purchasing "4", "Between the Sheets" and "Elixir." They are fabulous. September 17, 2004

I love Fourplay

I'm not surprised how great this cd is. I have alot of their music and I'm hooked! February 29, 2004

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