Fairport Convention - What We Did On Our Holidays
Facts
| Artist(s) | Fairport Convention |
| Studio | Universal UK |
| Release Date | March 10, 2003 |
| UPC Code | 766489801629 |
| Buy this item | $14.98 at Amazon.com As of Aug 27 0:59 EDT (details) 1 Audio CD, Usually ships in 24 hours, Import, Original recording remastered |
Tracks
- You're Gonna Need My Help
- Some Sweet Day
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User Reviews
Average user review:| First Album with Sandy Denny. |
The band would later become a legend in British folk-rock, and there are clear signs what direction the band might want to pursue on this album. Songs like "Nottamun Town" and "She Moves Through the Fair" would not have been totally out of place on their folk-rock classic "Liege and Lief". There is also a lot of folk-feeling in Denny's beautiful "Fotheringay".
Bob Dylan was obviously a great inspiration for the band, and they recorded several of his songs for their early albums. Here it is his obscure song "I'll Keep it With Mine" and you maybe you could also count in "Nottamun Town", which has the same melody as "Masters of War".
Richard Thompson wrote some really great songs for the album among which "Meet on the Ledge" has become a classic. At this point Thompson's songwriting was more pop/rock than folk.
Bassist Ashley Hutchings wrote the rock'n roller "Mr Lacey" and the other guitarist Simon Nicol contributed the fine acoustic instrumental "End of a Holiday", which closed off the original album.
The three bonus tracks are interesting, but none of them would have fitted very well into the album. The B-side "Throwaway Street Puzzle" has been a collector's item for years, and a track that many fans have been eager to hear. It's a Thompson/Hutchings blues rocker written and played much in the same vein as Dylan's "Down in the Flood" or "Wathcing the River Flow".
Great album, but not quite a five stars release. July 1, 2007
| My personal favorite |
| stepping stone to greatness |
With Denny giving the vocals a clarity the songs richly deserved, songwriter and guitarist was able to find the confidence to introduce 2 of his early classics to the listening public. "Meet on the ledge" retains its power to this day.The album closed originally with the wistful "farewell, farewell" but this reissue (which sounds great by the way) adds 3 bonus cuts. To be fair the only real one of interest is the original B side "throwaway street puzzle. Not a great album but a bonafide classic, lets make it 4.5 stars, just for opening with Sandys beautiful "Fotheringay" Anyone thinking of looking into Fairport Convention would do well to begin their search here.
Phil
Cambridge
ON April 28, 2005
| Pretty good but not as good as the later ones |
Throwaway Street Puzzle: Sounds like an outtake from Surrealistic Pillow. You can understand where that "English Jefferson Airplane" rep came from. Richard Thompson gets psychedelic.
You're Gonna Need My Help: A Muddy Waters blues, of all things, recorded live at the Beeb. Ian Matthews sounds a little uncomfortable pretending to be black, but Sandy Denny sounds as at home as Janis did belting out lines like "I know you're gonna put me down." Nice slide guitar work by Richard Thompson.
Some Sweet Day: A tune by Country Music Hall of Famers Felice and Boudleaux Bryant that the band learned from an old Everly Brothers record. Ian Matthews sings lead with a little harmony by the group on the chorus. More Richard Thompson slide guitar.
Remaster: Cleaner, but not a revelation or anything, at least not on my inexpensive sound system. The individual instruments are more distinct in the ensemble passages.
The record: Seems a bit schizophrenic to me. Sometimes the band goes for a smooth, sunny "California Dreamin'"-type sound (Book Song, No Man's Land, Tale in Hard Times) and other times for a somewhat rootsier, folkier sound (Fotheringay, The Lord is In This Place, Nottamun Town, She Moved Through the Fair), which of course is the direction they ultimately took. Problem is Thompson's songs don't really lend themselves very well to a light touch. There's something really weird about backing a lyric like "Take the sun from my eyes/let me learn to despise" with a cute harpicord obligatto (Tale in Hard Times). Or having a hand-clappin' Partridge Family chorus like "Hey, c'mon make it easy/Hey, c'mon make it right") with a verse like "It's no use to be free/If lies are all the truth they seem/They'll screw up what you do when you're through". Still, it's pretty good. Perhaps definitive cover of Dylan's I'll Keep It With Mine, and only version anywhere of Joni Mitchell's Eastern Rain (gently psychedelic). Thompson proves he can play the blues on Mr. Lacey, even if it's a dumb song. And Meet On the Ledge is nicely anthemic. And She Moved Through the Fair is as haunting as anything Fairport ever did. Still it's no Unhalfbricking, let alone Liege and Lief. April 22, 2005
| Not a very good album... sorry. |
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