Gade, Brautigam, Hogwood, Danish Nat'l So - Symphony 1 & 5
Facts
| Artist(s) | Gade, Brautigam, Hogwood and Danish Nat'l So |
| Studio | Chandos |
| Release Date | February 25, 2003 |
| UPC Code | 095115102626 |
| Buy this item | $18.98 at Amazon.com As of Jul 25 16:05 EDT (details) 1 Audio CD, Usually ships in 24 hours, |
Tracks
- I. Moderato Con Moto - Allegro Energico - Con Piu Moto - Christopher Hogwood
- II. Scherzo. Allegro Risoluto Quasi Presto - Meno Allegro - Tempo 1 - Meno Allegro - Tempo 1 - Meno Allegro - Presto - Christopher Hogwood
- III. Andantino Grazioso - Christopher Hogwood
- IV. Finale. Molto Allegro Ma Con Fuoco - Molto Marcato - Christopher Hogwood
- I. Allegro Con Fuoco - Ronald Brautigam
- II. Andante Sostenuto - Ronald Brautigam
- III. Scherzo. Allegro Molto Vivace - Ronald Brautigam
- IV. Finale. Andante Con Moto - Allegro Vivace - Ronald Brautigam
User Reviews
Average user review:| Forgotten Danish Gems |
The First Symphony brims over with folk melodies and a real sense of sweep and drama. The first movement echoes (ha) the Echoes of Ossian overture, with a rousing chorale played several times that suggests the strains of an epic ballad. It's an exciting movement, cut from the same cloth as Mendelssohn's Scottish Symphony, but a little more daring in places (Gade was a young man when he wrote this, and takes a young man's risks). The scherzo and slow movement are lovely and less volatile, while the finale is short and fiery--a triumphant march to victory. Everything in the symphony is catchy and replays repeated listening.
The Fifth Symphony, remarkably, is even better, and features the novel touch of adding piano accompaniment (never a concerto, but it offers concertante embellishments). The first movement is haunting, with a melody that may be the best he ever penned; the use of the piano with this melody is sheer genius. It evokes something of the mood of Schumann's slow movement from Symphony No.4. A gorgeous, gentle slow movement and quicksilver scherzo follow, and then a truly expansive finale. Only a first-rate mind could imagine and set this symphony to music, and Gade is the genuine article. These symphonies should be at least as well known as Nielsen's early works, and more so than anything Grieg ever wrote for the orchestra (Piano Concerto excluded). There's no risk taking here--if you like the era you will adore these works.
Hogwood plays the music with extreme commitment and allows the orchestra to really dig into this rare repertoire. I also have the set with Symphonies 3 and 6, which I've reviewed. Neither symphony is quite at the level of these works, though No.6 comes close. They are well worth a listen after getting to know these near-masterpieces. August 30, 2007
| Great Danish music. |
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