Ricky Ian Gordon, Richard Nelson, Emily Skinner, Brent Carver, Chad Kimball - My Life with Albertine (2003 Original Off-Broadway Cast)
Facts
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My Life with Albertine (2003 Original Off-Broadway Cast)
Music Price: $17.98 As of Dec 2 3:09 EST (details)
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| Artist(s) | Ricky Ian Gordon, Richard Nelson, Emily Skinner, Brent Carver and Chad Kimball |
| Studio | P.S. Classics |
| Release Date | October 7, 2003 |
| UPC Code | 803607031329 |
| Buy this item | $17.98 at Amazon.com As of Dec 2 3:09 EST (details) 1 Audio CD, Usually ships in 24 hours, |
Tracks
- Track 1
- Track 2
- Track 3
- Track 4
- Track 5
- Track 6
- Track 7
- Track 8
- Track 9
- Track 10
- Track 11
- Track 12
- Track 13
- Track 14
- Track 15
- Track 16
- Track 17
- Track 18
- Track 19
Similar CDs
| Bright Eyed Joy: The Songs of Ricky Ian Gordon | Hello Again | Only Heaven: A Musical Work by Ricky Ian Gordon Based on the Poetry of Langston Hughes | Rodgers and Hammerstein's South Pacific | Violet |
User Reviews
Average user review:| David Hurst's CD Review |
on PS Classics
Musical Direction by Charles Prince
Review by David Hurst
Last March, Playwrights Horizons took a bold chance with a small chamber musical called My Life With Albertine with book and lyrics by Richard Nelson and a score by Ricky Ian Gordon. Based on the Albertine sections of Marcel Proust's Remembrance of Things Past, it was clearly going to be a hard sell and, indeed, it struggled to find an audience receiving mixed to negative reviews even though it boasted a stellar cast that included Brent Carver, Kelli O'Hara, Chad Kimball, Donna Lynne Champlin and Emily Skinner. Wisely, PS Classics preserved Gordon's lush and haunting score with the resulting recording revealing gorgeous melodies and astonishing singing. Granted, it's not a conventional musical and it takes a little work to fully invest yourself in Gordon's music but it's worth the effort and smaller, regional companies will undoubtedly stage their own productions thanks to PS Classics exceptional disc.
November 7, 2008
| Gordon Spencer's Pittsburgh Magazine Review |
My Life with Albertine
ps classics
Gordon writes beautiful music.
About a year ago the composer/lyricist's life intersected again with CMU's College of Fine Arts . The 1980 grad was there because his life had such significance that he received an alumnus award. Other theatre alums came too, Ted Danson and Rob Marshall. But you probably know Gordon's name less.
He's got major credits, especially for vocal music, operas, operettas and song collections involving such artists as Renee Fleming, Dawn Upshaw and Audra McDonald. And he often gravitates to setting poetry.
Back in 2002 he wrote a musical featuring poetry by Langston Hughes, Only Heaven (likewise on ps classics.) It played way off-Broadway, Dayton , Ohio . Last year this show opened in New York 's actual off-Broadway but ran for less than a month. Thank goodness both scores can be heard by all of us. Each is worth the visit.
Again, as with Hughes, an eloquent word-artist is evoked, Marcel Proust. My Life with Albertine evokes his Albertine Disparue from 1925. Within the setting of Paris 1919, the score has the delicacy and grace you'd expect for the source, the period, the place. Impressions of Debussy, Satie and Poulenc waft through the gentle air. Fragrances of waltzes, polkas, schottisches come and go. So too do suggestions of Stephen Sondheim's Sunday in the Park with George. Bien sur.
The 12 member cast includes Brent Carver, best known as multi-award winner for his role in Kander and Ebb's Kiss of the Spider Woman. Actually the cast outnumbers the instrumental ensemble's seven pieces. But the collective sound has the perfect, impeccable, discreet resonance that belongs with such a work.
Perhaps it was too fragile for sensation-seeking New York audiences. At home, if you listen by candlelight savoring wine and perhaps a madeleine, you'll savor many degrees of taste.
Gordon Spencer
Pittsburgh Magazine
November 3, 2008
| Beautiful and Challenging |
Most of the musical numbers have a sense of sadness and longing to them as a reflection of fact that Marcel and Albertine never make a connection in life: it is in art, and in Proust's rememberece that the connection exists. But songs such as "The Different Albertines", "Lullaby", or "Talk About the Weather" have a deep sadness and a grasping quality while the more upbeat numbers like "Balbac By the Sea" and "The Ferret Song" have an almost mocking quality.
Kelli O'Hara is wonderful as Albertine, a character whom we only see through the eyes of Marcel. As a result there is something ephemeral about her- we never see the real Albertine only the different ideas that Marcel has about who she is. O'Hara's clear soprano reveals the girlish Albertine, the sensous libertine, and the confused woman. Many people will know O'Hara as Clara in the OBC of "The Light in the Piazza". We hear shades of Clara's innocence and childishness in the early Albertine, but then the prism shifts and we see a different Albertine and a different aspect of O'Hara's performance.
If your tastes run strictly towards big splashy commercial musicals (which I enjoy as well)this is not for you. But if you're one of those people who constantly complains that there is nothing new in theater, this is for you. March 1, 2006
| Brilliant! |
| Solidarity with Eric Glover! |
Brent Carver is chilling as Proust, and Chad Kimball is very good as Young Marcel. Kelli O'Hara is a real find as Albertine. Her "If It Is True" is one of the best musical theatre compositions this side of Sondheim. Uberdiva Emily Skinner stuns as Mlle. Lea, a sassy lesbian chanteuse. Ever since we saw "Side Show" in 1997, I've had a major crush on her, and my wife has hated her guts (just kidding!). The rest of the cast is also splendid.
As the title of my review suggests, I agree 100% with Eric Glover, soon to be musical theatre critic extraordinaire. Anybody who can't see the beauty in this marvelous show is not only deaf, but blind. January 15, 2005
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