Sergey Rachmaninov, Kiril Kondrashin, Fritz Reiner, Van Cliburn - Tchaikovsky: Piano Concerto No. 1; Rachmaninoff: Piano Concerto No. 2 [Hybrid SACD]
Facts
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Tchaikovsky: Piano Concerto No. 1; Rachmaninoff: Piano Concerto No. 2 [Hybrid SACD]
Music Price: You save 8%! As of Dec 2 16:46 EST (details)
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| Artist(s) | Sergey Rachmaninov, Kiril Kondrashin, Fritz Reiner and Van Cliburn |
| Studio | RCA |
| Release Date | September 14, 2004 |
| UPC Code | 828766139228 |
| Buy this item | $10.99 at Amazon.com As of Dec 2 16:46 EST (details) 1 Audio CD, Usually ships in 24 hours, Hybrid SACD |
Tracks
- Allegro non troppo e molto maestoso
- Andantino simplice
- Allegro con fuoco
- Moderato; Allegro
- Adagio sostenuto
- Allegro scherzando
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User Reviews
Average user review:| Tchaikovsky: Piano Concerto No. 1; Rachmaninoff: Piano Concerto No. 2 [Hybrid SACD] |
| As it should be |
| Unforgettable Cold War Hero Cliburn |
| The best known First Tchaikovsky |
I'd like however to comment on Rachmaninoff's second. I'm a big fan of it and even try to play it. And listening how Reiner destroys it with one sway of conductor's baton is unbearable. It just physically hurts! He destroys, for instance, the finale of the first movement by making it excessively emotionless and rhytmic. Ok, all we know how easy it's to become sentimental while playing Rachmaninoff. Rhythm must be esteemed. But not at the expense of expressiveness!
The finale of the third movement is also spoiled. We can't hear a pianist over the orchestra's hauling! If you want to listen to a good performance, by Richter.
February 8, 2007
| This is probably as good as the recording can get. |
Preserving the original three channel recording is a grand thing, and defineatly adds to the presentation - the only thing is that YOU have to have a sufficiently large listening room to fully appreciate it (to allow the three speakers to have enough distance between each other to get the most out of it). Without the proper space, the spatial imaging will to some degree be lost.
Regardless of this though, if this recording is important to you, then this is the edition to have beyond a doubt.
As for the performances, they are classics and you certainly can't go wrong with them - though I wouldn't say they are the 'best' for either of the respective pieces. For the Rachmaninov Piano Concerto N.2, my personal favourite is Reiner's other earlier (1956) recording with the Chicago Symphony Orchestra but featuring Artur Rubinstein as the soloist. Now there is a performance that is truly exciting, that really plays out the piece's romantic core to the fullest - both orchestra and soloist producing a rich passionate sound, bringing out the innate russianness of the music, truly bringing alive its inner meaning. November 7, 2004
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