2005 Digitally remastered re-issue features seven bonus tracks 'Breezes Of Patchulie', 'Museum' (First Version), 'Superlungs' (First Version), 'The Land Of Doesn't Have To', 'Sunshine', 'Good Trip' (Demo), 'House Of Jansch' (Demo). Sunshine Superman marked the coming of psychedelia and utilised the production skills of already established producer, Mickie Most, whose bass heavy style complements Donovan's enigmatic lyrics and their beatnik delivery brilliantly. EMI. Album Description
 |  | significant remix of classic album |  |
Donovan was there, he hung out with Dylan, Joan Baez and listened to the Jefferson Airplane before anyone else had. He was at the apartment with Dylan and the Beatles, at THE party that changed music forever. (See Scorcese's "No Direction Home"). Herein are psychedelic fairy tales designed to calm down bad head states. Music exploded with the Summer of Love, this classic was first, more than a year before that, recorded '65 and '66, before the whole thing started. Much of it deals with troubador Donovan's troubled love affair with model Linda Lawrence, sometimes girlfriend of Brian Jones, the golden Rolling Stone. This album is a first in many ways, folk, folk rock, jazz, blues. First to use sitar, table, tambura. It is full of King Arthur, Narnia, knight errant, and Alice in Wonderland themes. Arrangements by Mickie Most and John Cameron are miraculously creative.
"His crystal images they will tell you 'bout a brighter day" as Peter, Paul & Mary once said. And this album is chock full of those crystal images, images that make you weep at their beauty.
Starts off with the psychedelic superhero "Sunshine Superman" who is dealing with Linda, and "could have tripped out easier but I've changed my ways"....
"Legend of a Girl Child Linda" where her Narnian "knight goes to battle with his confused mind".
"Twelve Kingfishers", not Three, the misprint remains, you can see them dive in your minds eye.
The girl who get her hair caught in the "Ferris Wheel" is like the pre_Raphaelite painting of the girl who traps the silver clad knight in her long blonde hair.
"Season of the Witch" full of striking dark Novemberal images that made Steven Stills, Bloomfield and the Jefferson Airplane cover the song years later.
"The Trip", an early acid commercial with Alice in Wonderland imagery, banned on nearly all radio stations, except underground ones, in the sixties.
"...a seagull said, as I looked to way out then/
The whole wide human race is taking far too much methadrine" (it was true in '66, it's even truer now.)
...Girl, you drank a lot of 'drink me', but you ain't in Wonderland"
... Bobby Dylan he sat, the Mad Hatter, broken hourglass in his hand/ and Joanie sat in white lace, looking cool with her black lace fan".
"Fat Angel", talks of the Jefferson Airplane, a then unknown San Francisco group who would "take off" a year later, Fat Angel Mama Cass Elliot, of the Mamas and Papas and Captain High - Jerry Garcia of the then unknown Greatful Dead. "He will bring you happiness in a pipe/ he will ride away on his silver bike...Fly Trans-Love Airlines get you there on time/ Fly Jefferson Airplane, get you there on Time...".
This was the ultimate insiders, hip album in 1966, before the word "hippie" was coined. Original album had not one bad cut. In this version, good until you get to some of the lesser inclusions like the underage "Superlungs, my Supergirl".
This IMPORT, though not perfect, captures the sound of the original LP, much better remix that previous versions. A good trip from beginning to end. Captures the authentic Spirit of the Sixties. Recorded after "Bringing it all Back Home" and BEFORE "Revolver"! Harpsichord, sitar, tabla, and eastern instruments would be used on many other people's future albums, but this one was first.
This is one of the greatest albums of all time, finally presented in a way that does justice to the original LP. One of those albums that never gets stale, fresh as it was in mid 1966.
July 11, 2008Well, here's a blast from the past... I've owned the original album for many years (since it came out in 1966, in fact), so was intrigued with the opportunity to pick up a sonically cleaned-up version with no fewer than seven bonus tracks. I still think it's a great work. 'Season of the Witch' is one of the 60s' defining tracks, 'Sunshine Superman' still holds its own as a pop track, and all the rest continue to shine as an ensemble showing the way toward myth-, lore-, and jazz-influenced pop. This was actually quite a creative album, mostly recorded in late 1965 and early 1966 just before similar explorations by the Beatles and others. I've always been a Donovan fan, and this is arguably his best album (and also his most commercially successful, I think). One of the least noticed things about Donovan's music from this period is how he integrated a blues and jazz sound into many of his compositions--this is more evident on "Mellow Yellow", the next issue, but even here one can strongly feel those influences having been absorbed on 'The Trip,' 'Bert's Blues' and 'Three Kingfishers.'
April 1, 2007| | | 40 years with this recording | |
I've been listening to this record for 40 years now. It is an amazing, piece of music. I'm glad to see that others have enjoyed it as much as I.
February 18, 2007| | | An Ineffable Musical Experience | |
Other reviewers have delineated the technical brilliance of this album. I would not have much to add or subtract from their observations, except to affirm that the clarity of the mix enabled me to hear things I had never heard before, which injected new life into some well-worn tracks. The rest of my comments will be unapologetically subjective, possibly because Donovan has an odd way of reaching each individual at a personal level, though his stance is usually an acerbic but kindly, somewhat detached observer. In the musical firmament of the '60s, Donovan was the Pleiades, the mystic purple star system where faerie visions came and went, suggesting spiritual and sensual doings of an evanescent and yet intense character. No one else was even close. "Purple Haze" was the pile driver version of the grail at the end of that quest. "Sunshine Superman" was the lyrical version. Funny thing is, Donovan's songs still take you there, if you let them. I grew up in the SF Bay Area, and the Flower Power movement (if you could call it a "movement") emerged about the time I got my driver's license. I went in search of it, borrowing my parents' car. (Incidentally, the term "Flower Power" was coined by a reviewer of a Donovan concert who noted the flowers he tossed to the audience.) Maybe I found a little piece of the dream one fine day with a girl who seemed to know the power of silence, but for the most part it was illusion. I wanted to believe, but reality kept conflicting. Then I attended a Donovan concert at the Fillmore. For that two-hour moment, which was actually of infinite duration, it all came true. Like the gateway to the Pied Piper's Kingdom, the door is now nothing but a rock wall, but it is hard to forget having been among the elves for a moment, and the one who played the pipes that transported me there. Donovan's music suggested the beauty possible in a '60s mindset, and no album suggests it better than "Sunshine Superman." Think what a miracle it was to hear so much groundbreaking, diverse, and original music exploding all at once, and here was this guy singing songs that fitted it all perfectly, and yet didn't belong in any one stylistic camp or category at all. This quality of poetic vison and independence from convention still comes through today, surprisingly. Donovan's music brushes off the dust that tried to collect on its robes, and keeps on walkin', shimmering and catching the dreamlight. There is no absolute definitive interpretation of any of the songs. I think that's what you'll like about them. They're like kaleidoscope images that attract different parts of your soul on different days. Some of it is silly, and yet overall there's something profound about it. There are classics on this CD, such as "Sunshine Superman" and "Season of the Witch." But there are some underrated wonders here, too, such as "Bert's Blues," which is kind of a jazz/pop soliloquy on the "To Be or Not To Be" question. I will always be nostalgic for a belief in Peace and Love, even if the dream is deader than JFK, RFK, and MLK. But maybe another place and time? If you were there, you know what I mean. If you weren't, this might be your ticket. And if this isn't a five-star experience, then what is?
January 24, 2007| | | Review of the Vinyl LP--AMAZING | |
I note that this has been remastered and has additional songs, but the original vinyl of Donovan's 'Sunshine Superman' is one of the most enjoyable listening experiences in my collection. Donovan was an original, and yet you hear elements of the Beatles and Harry Nilsson in his music as well. It would be classified as psychedilic folk/rock. Yes, the songs play like one long drug trip, but the imagery is extraordinary and allows the listener to legally and vicariously see what some of these sixties musicians saw when they were stoned out of their minds. I really enjoy the Tolkein-esque imagery of the songs and the whimsical, child-like nature of the lyrics. The instrumentation includes all kinds of instruments one found in the late sixties on experimental rock albums, such as sitars and oboes and strings. The resulting sound is lush and accomplished. This is a great album, and though I don't know how the CD versions stack up, the vinyl is awesome and clear.
December 25, 2006More reviews at Amazon.com ...
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