Sadat X (PA) - Wild Cowboys
Facts
| Artist(s) | Sadat X (PA) |
| Studio | Loud RecordsBMG |
| Release Date | November 30, 1995 |
| UPC Code | 020831161527 |
About Sadat X (PA) - Wild Cowboys
Tracks: 1. The Lump Lump 2. Wild Cowboys 3. Sauce for Birdhead 4. Open Bar 5. Hang 'Em High 6. Do It Again 7. Game's Sober 8. Smoking on the Low 9. Petty People 10. The Interview 11. Stages and Lights 12. Move On 13. The Funkiest 14. Escape from New York 15. The Hashout Product Description
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User Reviews
Average user review:| The "Wild Cowboys" of Hip Hop |
Released in 1996, Wild Cowboys has a very loose, jazzy feel (not unlike much hip hop of that time. The production is very understated and relaxed, yet is very engaging. Pete Rock, Buckwild, Diamond D, Alamo, Showbiz, Da Beatminerz, and the underrated Minnesota all provide very chill jazzy tracks. If you know their work, you know what you're getting here-killer NY stuff.
As for the rhyming, guest spots are kept mostly within the family, as Sadat brings in his boys (the cowboys(?)) on several tracks. Grand Puba, crooner DV Alias Khryst, and the severely slept-on Money Boss Players all have features as well. Smoka J was pretty accurate about how Sadat's boys don't add a lot to the tracks. For what they lack, Sadat more than makes up for with his highly skilled rhymes and active flow. He is on point all album.
Standout tracks are "The Lump Lump", "Do It Again" (feat. DV), "Do It Again", "Game's Sober" (feat. Money Boss Players & Sha Sha), "Smokin on the Low" (ft. DV), and the Pete Rock produced "Escape From New York". The rest of the album is very strong too. The only track I couldn't get into was "The Funkiest". I've got no particular reason...just wanted feeling it.
All in all, Wild Cowboys is an album worth purchase by fans of 90s hip hop, jazzy hip hop, or of any of the above artists. This album has been slept-on for years. It's time to get the word out. November 28, 2007
| As a whole it could be his best work... |
| Godz of NYC Production |
| Dotty X blazes his first solo trail... |
When Puba left Brand Nubian after their classic debut "One for All" (1990), the remaining 3 group members (MC's Sadat X & Lord Jamar & producer DJ Alamo) released 2 more albums with 1992's highly under-rated "In God We Trust" and 1994's forgettable "Everything is Everything." Any fan of Brand Nubian knows that all the talent lay in the hands of Puba and Sadat (their chemistry together is among the best duos out there), while Jamar played a "sometimes dope, often bland" interlude between the two. I was as surprised as anyone with how dope the Puba-less "In God We Trust" turned out to be. I thought that w/o Puba the up-and-coming Brand Nubian was finished. However, when "Everything is Everything" bombed, our suspicions were confirmed and I guess Sadat had enough and went for dolo. It was a wise choice...sort of.
The best thing about "Wild Cowboys" is the beats. Sadat amassed A WHOLE GANG of all-star producers; Diamond D (4 tracks), Buckwild (2), Da Beatminerz (1), Showbiz (1), Dante Ross for the SD 50's (1), DJ Alamo (1), & Pete Rock (1). So you know this album bumps that '96 east-coast flava, no questions there...
The problem with this album lies in Sadat's inexperience as a solo artist. His entire MC career, he's had a partner (or two) - therefore he's never had to shoulder a complete album's worth of material, and it shows here. Oddly enough, Sadat's not the problem (he does just fine) - it's his guest artists, there's too many. The good; Puba returns and shares the track "Open Bar," one of my favorites on the album, and the haunting singing of DV Alias Christ blesses the tracks "Hang 'Em High" and "Smoking on the Low." The bad; EVERYONE ELSE. For some reason, Sadat called on his buddy Shawn Black (???) to add on to some of the tracks...4 to be exact. He's one of those boring, heard-him-a thousand times MC's that sadly ruin a perfectly good song. There's some other unknown MC's on this album, but they only appear once a piece - the end result is still the same, they add nothing. I was under the impression that Sadat broke away from Lord Jamar to spread his wings, but after hearing so many bland guests on this album, I was wishing that Jamar had taken their places. I would have loved it if Sadat had been more selfish and kept the tracks to himself and the pros (Puba) and I actually missed Lord Jamar. I bought this album to hear Sadat X, not Sadat X and his broke, wack homies. The best comparison I can think of is Diamond D's 2nd album "Hatred, Passions, Infidelity" (1997), where almost every track had some no name (save a few) who just took up a verse and added nothing to the track. After a while it gets very frusturating and eventually annoying.
Bottom Line: A decent effort. The beats are top notch and Sadat does a commendable job on his first solo venture. It's definitely worth owning, just heed my warnings. I have to say "The Lump Lump" totally bumps, and the remix with Brand Nubian is a classic. 3 1/2 stars, Peace. July 28, 2006
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