Vincenzo Bellini - I Puritani (2007)
Facts
| Theatrical Release | November 30, 2006 |
| DVD Release | December 18, 2007 |
| Running Time | 149 minutes |
| MPAA Rating | NR (Not Rated) |
| UPC Code | 044007344217 |
| Buy this item | $27.97 at Amazon.com As of Nov 21 7:21 EST (details) 2 DVD, Deutsche Grammophon, Usually ships in 24 hours, Classical, NTSC, Color Languages: Italian (Original Language - DTS 5.1), English (Original Language), German (Subtitled), English (Subtitled), Italian (Subtitled), French (Subtitled), Spanish (Subtitled) |
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User Reviews
Average user review:| Bellini's best |
| Terrible performance ... |
Il you really want to hear this work, buy the Pavarotti/Sutherland CD but this DVD won't even give you an idea of what a beautiful work this can be with real belcanto specialists. June 24, 2008
| Netrebko and Nothing More |
As for Netrebko, her interpretive skills are excellent, and she is a very charismatic performer. Most of the other reviewers have covered this in detail.
The other members of the cast are variable. Franco Vassallo, the Riccardo, is also about the worst Riccardo I have heard. The 1976 Met production featured Sherrill Milnes, and since then Paolo Gavanelli and Thomas Hampson sang the role (Pablo Elvira and Matteo Manuguerra also sang the role with distinction elsewhere) much better than Vassallo does here. Vassallo's mouth vibrates excessively, with the inevitable forcing and spreading of the tone. His range does not extend to the top (interpolated) notes of the role, and in general he sounds like a comprimario. John Relyea, as Giorgio, does sing out of the left side of his mouth, but in general sings with feeling, and is not a liability.
A further word about this performance. For some reason, the Met chose to open some cuts, but introduce others that create musical imbalances. In Act 1, Riccardo's cabaletta has both verses, but then near the end there is a jarring cut to nearly the end of the piece, and it does not work. At the end of the Elvira/Giorgio duet there is only one verse, and then the end of the number is also hacked up, including the orchestral part. Sometimes singers request cuts to save their voices, but why cut the orchestral part? Similarly, much of the opening orchestral/choral music is cut.
Unfortunately, this recording reflects the outdated philosophy that an opera only needs a prima donna. I hope that Florez records the role of Arturo soon with a good soprano so that there is a more balanced recording available. May 4, 2008
| The old Stand and sing MET |
I hope the Met keeps going in the new direction of energized and logical porductions. This was a true disappointment. May 1, 2008
| DISAPPOINTING..... DO NOT BUY THIS DVD |
Netrebko as always, sings and act very good but this is not a role for her voice. As another reviewer said she has not the coloratura required. If you are used to listen this role sung by Sutherland and Gruberova............ there is no comparison at all. Before buying this DVD I read many reviews, even the 2 stars. I decided to buy it because of Netrebko but never thought it was going to be as disapointing as it is. The Metropolitan Opera managers and Deutsche Grammophon should be ashamed to have produced the opera with that cast and the DVD, even with Netrebko singing.
If you want a very good I puritani's DVD. Buy the one sung by Gruberova at the Barcelona's Liceu. To listen buy the Sutherland-Pavarotti (it is a masterclass about how Puritani should be sung). Is absolutelly great and you will appreciate the beauty of this opera.
Again shame on Met and DG. I feel absolutelly cheated by them. April 25, 2008
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