Wagner: The Great Operas from the Bayreuth Festival
Facts
| Studio | Decca |
| Release Date | June 17, 2008 |
| UPC Code | 028947802792 |
About Wagner: The Great Operas from the Bayreuth Festival
A special, limited edition 33-CD box set containing all of Wagner's operas from The Flying Dutchman (1841) to his final masterpiece Parsifal (1882) in performances from the opera house created specifically for the production of Wagner's masterpieces, the Bayreuth Festival Theatre. Landmark performances by some of the greatest Wagnerians can be savored here, among them singers Birgit Nilsson, Leonie Rysanek, Anja Silja, Waltraud Meier, Astrid Varnay, Wolfgang Windgassen, Jess Thomas, James King, Ramon Vinay, Peter Hoffmann, Bernd Weikl, Theo Adam, Karl Ridderbusch, Hans Sotin and Simon Estes. The all-star roster of conductors includes Karl Böhm, James Levine, Wolfgang Sawallisch and Silvio Varviso. RICHARD WAGNER (1813-83) Der fliegende Holländer Anja Silja * Fritz Uhl * Josef Greindl * Franz Crass Wolfgang Sawallisch, conductor Tannhäuser Anja Silja * Wolfgang Windgassen * Eberhard Wächter * Josef Greindl Wolfgang Sawallisch, conductor Lohengrin Anja Silja * Astrid Varnay * Jess Thomas * Ramon Vinay Wolfgang Sawallisch, conductor Tristan und Isolde Birgit Nilsson * Wolfgang Windgassen Karl Böhm, conductor Die Meistersinger von Nürnberg Hannelore Bode * Jean Cox * Bernd Weikl * Karl Ridderbusch * Hans Sotin Silvio Varviso, conductor Der Ring des Nibelungen Das Rheingold Annelies Burmeister * Wolfgang Windgassen * Theo Adam * Gustav Neidlinger Karl Böhm, conductor Die Walküre Birgit Nilsson * Leonie Rysanek * James King * Theo Adam Karl Böhm, conductor Siegfried Birgit Nilsson * Wolfgang Windgassen * Theo Adam Karl Böhm, conductor Götterdämmerung Birgit Nilsson * Wolfgang Windgassen * Josef Greindl * Gustav Neidlinger Karl Böhm, conductor Parsifal Waltraud Meier * Peter Hoffmann * Hans Sotin * Simon Estes James Levine, conductor Album Description
Tracks
Disc 1- Overture
- Act 1. No. 1. Introduktion. Hojoje! Hojoje!
- Act 1. No. 1. Introduktion. Kein Zweifel! Sieben Meilen fort
- Act 1. No. 1. Introduktion. Mit Gewitter und Sturm aus fernem Meer
- Act 1. No. 2. Rezitativ und Arie. Die Frist ist um
- Act 1. No. 2. Rezitativ und Arie. Dich frage ich, gepries'ner Engel Gottes
- Act 1. No. 2. Rezitativ und Arie. Nur eine Hoffnung soll mir bleiben
- Act 1. No. 3. Szene, Duett und Chor. He! Holla! Steuermann!
- Act 1. No. 3. Szene, Duett und Chor. Durch Sturm und bösen Wind werschlagen
- Act 1. No. 3. Szene, Duett und Chor. Wie? Hör' ich recht? Meine Tochter sein Weib?
- Act 1. No. 3. Szene, Duett und Chor. Wenn aus der Qualen Schreckgewalten
- Act 1. No. 3. Szene, Duett und Chor. Südwind! Südwind!
- Act 1. No. 3. Szene, Duett und Chor. Mit Gewitter und Sturm aus fernem Meer
- Act 2. No. 4. Szene, Lied und Ballade. Summ und brumm, du gutes Rädchen
- Act 2. No. 4. Szene, Lied und Ballade. Da seht ihr's!
- Act 2. No. 4. Szene, Lied und Ballade. Johohoe! Traft ihr das Schiff im Meere an
- Act 2. No. 4. Szene, Lied und Ballade. Ach, wo weilt sie
- Act 2. No. 4. Szene, Lied und Ballade. Vom Felsen sah ein Schiff ich nahn
- Act 2. No. 5. Duett. Bleib, Senta! Bleib nur einen Augenblick!
- Act 2. No. 5. Duett. Mein Herz, voll Treue bis zum Sterben
- Act 2. No. 5. Duett. Auf hohem Felsen lag ich träumend
- Act 2. No. 6. Finale. Mein Kind, du siehst mich auf der Schwelle
- Act 2. No. 6. Finale. Mögst du, mein Kind, den fremden Mann
- Act 2. No. 6. Finale. Wie aus der Ferne längst vergang'ner Zeiten
- Act 2. No. 6. Finale. Wirst du des Vaters Wahl nicht schelten?
- Act 2. No. 6. Finale. Verzeiht! Mein Volk hält draußen sich nicht mehr
- Act 3. No. 7. Szene und Chor. Steuermann, laß die Wacht!
- Act 3. No. 7. Szene und Chor. Mein! Seht doch an!
- Act 3. No. 8. Finale. Was mußt' ich hören
- Act 3. No. 8. Finale. Willst jenes Tags du nicht dich mehr entsinnen
- Act 3. No. 8. Finale. Verloren! Ach, verloren! Ewig velornes Heil!
- Act 3. No. 8. Finale. Erfahre das Geschick
- Overture / Act 1. Naht euch dem Strande
- Act 1. Geliebter, sag, wo weilt dein Sinn?
- Act 1. Dir töne Lob! Die Wunder sei'n gepriesen
- Act 1. Geliebter, komm! Sieh dort die Grotte
- Act 1. Stets soll nur dir mein Lied ertönen
- Act 1. Zieh hin, Wahnsinniger, zieh hin!
- Act 1. Frau Holda kam aus dem Berg henvor
- Act 1. Zu dir wal ich, mein Jesus Christ
- Act 1. Wer ist der dort in brünstigem Gebete?
- Act 1. Als du in kühnem Sange uns bestrittest
- Act 2. Dich, teure Halle, grüß ich wieder
- Act 2. Dort ist sie; nahe dich ihr ungestört!... Der Sänger klugen Weisen lauscht' ich sonst
- Act 2. Den Gott der Liebe sollst du preisen
- Act 2. Dich treff ich hier, in dieser Halle
- Act 2. Freudig begrüßen wir die edle Halle
- Act 2. Gar viel und schön
- Act 2. Blick ich umher in diesem edlen Kreise
- Act 2. Auch ich darf mich so glücklich nennen / Den Bronnen, den uns Wolfram nannte
- Act 2. O Walther, der du also sangest / Heraus zum Kampfe mit uns allen! / O Himmel, laß dich jetzt
- Act 2. Dir, Göttin der Liebe, soll mein Lied ertönen!
- Act 2. Was hör ich?
- Act 2. Der Unglücksel'ge, den gefangen
- Act 2. Weh! Weh!, mir Unglücksel'gem!
- Act 2. Ein furchtbares Verbrechen ward begangen
- Act 2. Versammelt sind aus meinen Landen
- Act 3. Prelude
- Act 3. Wohl wußt' ich hier im Gebet zu finden
- Act 3. Beglückt darf nun dich, o Heimat, ich schauen
- Act 3. Allmächt'ge Jungfrau, hör mein Flehen!
- Act 3. Wie Todesahnung Dämmrung deckt die Lande
- Act 3. O du, mein holder Abendstern
- Act 3. Ich hörte Harfenschlag
- Act 3. Inbrunst im Herzen
- Act 3. Nach Rom gelangt' ich so
- Act 3. Da sank ich in Vernichtung dumpf damieder / (The Rome Narration) / Halt ein! Unsel'ger
- Act 3. Wilkommen, ungetreuer Mann!
- Act 3. Heil! Heil! Der Gnade Wunder Heil!
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User Reviews
Average user review:| What a Package!! What a Bargain!! What Wagner!! |
| A Phenomenal Bargain -- Don't Hesitate |
If you are perchance a Wagner neophyte with a hankering to discover what all the fuss is about when it comes to this greatest of musical megalomaniacs, then this box is tailor-made for you. The performances contained herein all convey a unique sense of authenticity, insofar as they were taken down live at Bayreuth, the theater that Wagner designed as a sacred shrine of consecration for the Grail that was his hypertrophic ego (when you're a genius of that caliber, I suppose a wee bit of bravado is allowed). Make no mistake: nowhere on the face of the earth is Wagner performed with greater zeal and dedication than on that Holy Hill, and nowhere will you find more prolific opportunities to be initiated into the Highest Mysteries of the music drama.
Another advantage of this set (beyond its obvious bargain status) is that every one of the ten great operas receives a performance that at least does justice to the music, and some have rightly been accorded classic status. First and foremost, you will be treated to the greatest *Tristan und Isolde* of the Stereo era, and a *Ring* cycle that must figure at or near the top of a very short list--all conducted by Karl Böhm (one of the most formidable, and dramatically compelling, Wagnerians on record). These Böhm-led performances feature the likes of Brigit Nilsson (as Isolde and Brunhilde) and Wolfgang Windgassen (as Tristan and Siegfried), alongside other top Wagnerian singers of their generation. Those five operas would have constituted a plausible bargain box on their own (and indeed the Böhm Ring cycle has fairly recently been selling for about the same price as this entire collection); but we also are treated to three wonderful performances (*Der Fliegende Holländer*, *Lohengrin* and *Tannhäuser*) under Wolfgang Sawallisch, another seasoned Wagnerian who can usually be counted on (as here) to provide a vivid theatrical experience. All three of these performances are exceptionally well cast (a difficult matter in these particular works), though some listeners might be put off by certain vagaries of live recording (odd balances, audible prompters, lots of stage noises, less than spot-on choral ensemble, etc.); these minor irritations are more noticeable in the three Sawallisch outings than in some of the other performances anthologized here. Least satisfying (to these ears anyway) are Varviso's *Meistersinger* (inconsistently cast, with less than engaging portrayals of Sachs and Walther) and Levine's *Parsifal* (too slow, and minus a musically and dramatically plausible singer in the title role); yet even in these two cases, where one could cite several superior alternatives, you will probably not be disappointed--for there is something about a live occasion at Bayreuth that stirs the blood, even when the conducting or singing prove uneven.
Perhaps the best news about this set, apart from the price, is that the recordings all date from the Stereo era, and provide a splendid sense of space and occasion, if not always ideal clarity of focus. The documentation is what one would expect for bargain boxes these days--scanty, though detailed cast lists and recording dates are provided along with a cued plot synopsis for each work.
In sum, then, you cannot go wrong with this compilation, whether you are a neophyte or a veteran opera collector and Wagnerian: the performances are memorable, the sonics variable but never less than good, and the cost minimal. Strongly recommended. September 3, 2008
| Wagner: The Great Operas from the Bayreuth Festival |
| A No Brainer |
| For Wagner Fans And At A Fantastic Price. |
Fortunately, all of these performances were recorded in excellent stereo, and the live audiences were quiet for the most part and the engineers have wisely excised audience applause. Some coughing is more noticable in some performances than in others reminding me of the old joke, "When people have a cough they don't stay home, they go to the opera!!"
And now Decca has re-issued all the "great" operas from Der Fliegende Hollander to Parzifal and if one is really desperate to have the "complete" operas, one can augment the collection to include "Das Liebesverbot", "Die Feen", and "Rienzi" still for a pittance when compared to buying the European-issued "Complete Wagner" series that includes those three early operas and at a much higher cost.
My only quibble is that one must do with plot synopses and not have the libretti included.
And all of this for only $56 bucks for 33 CDs?? Thank you, Decca and God bless you!! This is just too good to pass up for several reasons. Most current Ring cycles alone can cost over $100, so what are you waiting for??
Viel Vernuegen!!! July 17, 2008
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