Aimee Mann - @#%&*! Smilers (Special Edition)
Facts
| Artist(s) | Aimee Mann |
| Studio | Superego Records |
| Release Date | June 3, 2008 |
| UPC Code | 698519002723 |
Tracks
- Freeway
- Stranger Into Starman
- Looking For Nothing
- Phoenix
- Borrowing Time
- It's Over
- Thirty One Today
- Great Beyond
- Medicine Wheel
- Columbus Ave.
- Little Tornado
- True Believer
- Ballantines
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User Reviews
Average user review:| Bring the band back |
Disappointing. September 28, 2008
| @#%&*! Aimee! |
She's a great songwriter and while her and her husband went off and did their own concept albums last time (didn't care for her boxing album...Did I hear she did a dark Christmas album? No, she didn't...Man, it must cost a lot to live in LA) this is as compelling and addictive as Lost in Space for me.
I like the horns and the electronics, they seem to add more to her minimalistic song structures than studio cleansed guitars of albums past.
I would have seen her in concert when she comes to town but opening for Squeeze? Don't think I could sit through that. I'm sure while that band would look back at their perfectly coiffed 80s hits, Mann, will, no doubt musically, existentially, keep looking forward...That's what separates her from the rest, I believe.
Aimee is consistently fresh with her stories and even if she's comes across as a bit California-condescending in her observations at times and still clunks a bit with her references (Anne Sexton) and precious with Mr. Eggers whistling (Please...), she still carries a pop tune as well as she always has.
Jim Harris
A Bottle of Rain
Nowhere Near the Sea of Cortez September 21, 2008
| Solid workmanship, but a tad pale |
Aimee can produce great work. But where on Smilers is there anything so pretty and cleverly snotty as Amateur (from I'm With Stupid), or infectiously jangly as 50 Years After The Fair? Where is anything so biting and punk as Long Shot, or sweet and heartfelt as Mr. Harris?
Inevitably one must compare the present record with her past artistic successes. Stylistic differences aside, differences in instrumentation aside, I am not hearing the brilliance here that I am used to from her previous work up to Lost In Space. It sounds like an album that got cranked out because it was time to crank out another album.
I can't criticize those who enjoy this. I disagree that this is anywhere near her best work. The songs aren't bad. But to me they sound more like what would pass for bonus tracks or b-sides on previous albums and singles. Aimee sounds like she's reached a point in her career where she needs to be shaken up artistically, challenged to explore new heights and depths. Smilers just glides rock solid right down the middle of the freeway. What this music needs is some hairpin turns and steep grades and potholes and getting the wheels over close to the edge of the cliff so we can look down and have a thrill or two. That's what Aimee has led me to expect from her music, and I'm not getting it this time. September 14, 2008
| Great CD by Aimee |
| I can't stop smiling |
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