Motown
The Motown Sound was also defined by the use of orchestration, string sections, charted horn sections, carefully arranged harmonies and other more refined pop music production techniques that borrowed from British Invasion styles.
It was also one of the first styles of pop music of that era wherein girl groups were showcased as an act, as opposed to individual female artists. The acts on the Motown label were fastidiously groomed, dressed and choreographed for live performances. Motown artists were told that their breakthrough into the white popular music market made them ambassadors for other African-American artists seeking broad market acceptance, and that they should think, act, walk and talk like royalty, so as to alter the less-than-dignified image (commonly held by white Americans in that era) of black musicians.
Many of Motown's most well known songs, such as all of the early hits for The Supremes, were written by the songwriting trio Holland-Dozier-Holland. The many artists of Motown Records collaborated to produce several hit songs, although the process has been described as factory-like (such as the Brill Building).
In the 1960?s (from 1961 to 1971) , Motown had 110 Top 10 hits and artists such as Stevie Wonder, Marvin Gaye, Diana Ross & The Supremes, The Jackson Five and Gladys Knight were all signed to Motown Records.